Luminapolis

Schlagwort: Vitra

  • Licht Kalender Juli 2010Lighting Calendar July 2010

    Wenn Sie weitere Termine melden wollen, bitte ein Mail an die Luminapolis-Redaktion

    27.07. – 28.07. Stuttgart: Theater Stuttgart, reinventing nijinski

    22.07. Berlin: Upgrade! Berlin presents: Media Facades Festival 2010

    30.7. – 01.08. Hamburg: Blue Port

    27.07 – 29.08. Sao Paulo: File 2010 Prix Lux

    27.07. – 5.09. Bozen: Antonella Cattani Contemporar Art, Carlo Bernardini

    24.07. – 7.11. Tokio: Mori Art Museum, Sensing Nature

    08.07. Frankfurt: Artemide: Lighthouse Competition

    14.07. London: ILE conference, From Zero to Hero

    – 17.07. Köln: Max Sudhues

    01.07. – 12.09. Frankfurt: Peter Kogler

    11.07. – 19.09. / Krefeld: Museum Haus Lange: Julius Popp

    22.07. – 24.07. Bologna: Viabizzuno international lighting conference

    30.07-31.07 Berching: Berchinale

    28.07. – 30.07. Lüdenscheid: Erco Licht-Workshop für Studenten

    – 15.11. Langmatt: Museum Langmatt, Pipilotti Rist: Sommergäste

    Mailand: Pietro Pirelli, Arpa di Luce

    – 04.09. Tokio: Senseware

    – 04.09. Boisbuchet: Summer Workshops/Vitra with Moritz Waldemeyer, Paul Cocksedge and others

    – 21.08. Santa Monica: Museum of Art: Arik Levy

    – 31.10. Shanghai: Expo 2010

    – 09.08. Berlin: Martin-Gropius-Bau / Olafur Eliasson

    – 22.08. Karlsruhe: ZKM / Robert Wilson

    – 26.09. Wolfsburg: James Turrell – The Wolfsburg Project

    Philips Lighting Academy Seminar

    Johannesburg: Hartung & Trenz

    – 30.08. Berlin: Bauhaus-Archiv: Ingo Maurer

    Melbourne: FedSquare: Rafael Lozano-Hemmer

    – 09.08. Paris: Centre Pompidou / Dreamlands

    -17.09. Berlin: Galerie Caprice Horn/ James Clar

    Aix-en-Provence: Fondation Vasarely / LAb[au]If you want announce a date, please mail to the editors of Luminapolis

    30.7. – 01.08. Hamburg: Blue Port

    27.07 – 29.08. Sao Paulo: File 2010 Prix Lux

    27.07. – 5.09. Bozen: Antonella Cattani Contemporar Art, Carlo Bernardini

    24.07. – 7.11. Tokyo: Mori Art Museum, Sensing Nature

    08.07. Frankfurt: Artemide, Lighthouse Competition

    14.07. London: ILE conference: From Zero to Hero

    – 17.07. Cologne: Max Sudhues

    01.07. – 12.09. Frankfurt: Peter Kogler

    11.07. – 19.09. / Krefeld: Museum Haus Lange: Julius Popp

    22.07. – 24.07. Bologna: Viabizzuno international lighting conference

    – 15.11. Langmatt: Museum Langmatt, Pipilotti Rist: Sommergäste

    Milano: Pietro Pirelli, Arpa di Luce

    Tokyo: Senseware

    Boisbuchet: Summer Workshops/Vitra with Moritz Waldemeyer, Paul Cocksedge and others

    Santa Monica: Museum of Art: Arik Levy

    Shanghai: Expo 2010

    – 09.08. Berlin: Martin-Gropius-Bau / Olafur Eliasson

    Karlsruhe: ZKM / Robert Wilson

    Wolfsburg: James Turrell – The Wolfsburg Project

    Philips Lighting Academy Seminar

    Johannesburg: Hartung & Trenz

    Berlin: Bauhaus-Archiv: Ingo Maurer

    Melbourne: FedSquare: Rafael Lozano-Hemmer

    Paris: Centre Pompidou / Dreamlands

    Berlin: Galerie Caprice Horn/ James Clar

    Aix-en-Provence: Fondation Vasarely / LAb[au]

  • Licht Kalender Juni 2010Lighting Calendar June 2010

    Wenn Sie weitere Termine melden wollen, bitte ein Mail an die Luminapolis-Redaktion

    Barcelona: Sonar Festival

    Köln: Lichtfaktor auf der C’n’B Convention der c/o pop

    Poggibonsi: Workshop/ Design della Luce nello spettacolo

    Oberhausen: Artronis Visualisierung / Screening, Wasserturm HBF Oberhausen

    Boisbuchet: Summer Workshops/Vitra with Moritz Waldemeyer, Paul Cocksedge and others

    München: BMW Museum / Paul Cocksedge: Dream.Discover.Design

    Basel: Art Basel / Paul Cocksedge: High-Tech, Art, Design

    Lyon: Lumiville

    Lyon: LUCI / Light Festivals Pavilion

    Ljubljana: Lighting Guerilla The City!

    Shenzhen: Dieter Jung / Flying Colors – Holographic art

    Weltweit: Laserfest

    Santa Monica: Museum of Art: Arik Levy

    Shanghai: Expo 2010

    London: OLED Lighting Design Summit

    Berlin: Martin-Gropius-Bau / Olafur Eliasson

    Karlsruhe: ZKM / Robert Wilson

    Karlsruhe: ZKM / Peter Weibel / rosalie: Chroma_Lux

    Wolfsburg: James Turrell – The Wolfsburg Project

    Philips Lighting Academy Seminar

    Mailand: Palazzo Reale: Fuoco

    Berlin: 401 contemporary / Jakob Mattner, Laura Buckley

    Johannisburg: Hartung & Trenz

    Mailand: Triennale: Spage Age Lights

    Rom: Festa dell’Architettura

    Berlin: Screendancing

    Arnsberg: lichtforumnrw / Leuchte des Jahres 2010

    Frankfurt am Main: saasfee illuminated questions

    Dortmund: sanktreinholdi / Angela Bulloch, Andreas Oldörp, Jun Yang

    Berlin: Semperlux / Tageslicht

    Berlin: Bauhaus-Archiv: Ingo Maurer

    Melbourne: FedSquare: Rafael Lozano-Hemmer

    Neapel: Quale illuminazione per i centri storici? / Conference

    Tuscon: International Dark Sky Association

    Paris: Centre Pompidou / Dreamlands

    Berlin: Galerie Caprice Horn/ James Clar

    Aix-en-Provence
    : Fondation Vasarely / LAb[au]If you want announce a date, please mail to the editors of Luminapolis

    Barcelona: Sonar Festival

    Cologne: Lichtfaktor at the C’n’B Convention of c/o pop

    Poggibonsi: Workshop/ Design della Luce nello spettacolo

    Oberhausen: Artronis Visualisierung / Screening, Water Tower Trainstation Oberhausen

    Boisbuchet: Summer Workshops/Vitra with Moritz Waldemeyer, Paul Cocksedge and others

    Munich: BMW Museum / Paul Cocksedge: Dream.Discover.Design

    Basel: Art Basel / Paul Cocksedge: High-Tech, Art, Design

    Lyon: Lumiville

    Lyon: LUCI / Light Festivals Pavilion

    Ljubljana: Lighting Guerilla The City!

    Shenzhen: Dieter Jung / Flying Colors – Holographic art

    Paris: Centre Pompidou / Laserfest

    Santa Monica: Museum of Art: Arik Levy

    Shanghai: Expo 2010

    London: OLED Lighting Design Summit

    Berlin: Martin-Gropius-Bau / Olafur Eliasson

    Karlsruhe: ZKM / Robert Wilson

    Karlsruhe: ZKM / Peter Weibel / rosalie: Chroma_Lux

    Wolfsburg: James Turrell – The Wolfsburg Project

    Philips Lighting Academy Seminar

    Rome: Festa dell’Architettura

    Milan: Palazzo Reale: Fuoco

    Berlin: 401 contemporary / Jakob Mattner, Laura Buckley

    Johannisburg: Hartung & Trenz

    Milan: Triennale: Spage Age Lights

    Berlin: Screendancing

    Arnsberg: lichtforumnrw / Leuchte des Jahres 2010

    Frankfurt/Main: saasfee illuminated questions

    Dortmund: sanktreinholdi / Angela Bulloch, Andreas Oldörp, Jun Yang

    Berlin: Semperlux / Daylight

    Berlin: Bauhaus-Archiv: Ingo Maurer

    Melbourne: FedSquare: Rafael Lozano-Hemmer

    Neapel: Quale illuminazione per i centri storici? / Conference

    Tuscon: International Dark Sky Association

    Berlin: Galerie Caprice Horn/ James Clar

    Aix-en-Provence: Fondation Vasarely /

  • Green Energy: Kennedy’s Photovoltaic Curtains

    Boston. Aufsehen erregende Neuigkeit vom Massachusetts Institute of Technology (MIT aus Boston). Sheila Kennedy, die sich mit der Integration von Solarzellen in die Architektur beschäftigt, hat Strom erzeugende Vorhänge entwickelt. Das Büro Kennedy Violich Architecture betreibt auch seit längerem das Projekt „Portable Light„, das in Entwicklungsländern zu einer vom Netz unabhängigen Beleuchtung in den Abendstunden beiträgt, die beispielsweise für die Bildung nach Feierabend genutzt werden kann.

    Aber lesen Sie selbst: „Sheila Kennedy, an expert in the integration of solar cell technology in architecture who is now at MIT, creates designs for flexible photovoltaic materials that may change the way buildings receive and distribute energy. These new materials, known as solar textiles, work like the now-familiar photovoltaic cells in solar panels. Made of semiconductor materials, they absorb sunlight and convert it into electricity.

    Kennedy uses 3-D modeling software to design with solar textiles, generating membrane-like surfaces that can become energy-efficient cladding for roofs or walls. Solar textiles may also be draped like curtains.“Surfaces that define space can also be producers of energy,“ says Kennedy, a visiting lecturer in architecture. „The boundaries between traditional walls and utilities are shifting.“

    Principal architect in the Boston firm, Kennedy & Violich Architecture, Ltd., and design director of its materials research group, KVA Matx, Kennedy came to MIT this year. She was inspired, she says, by President Susan Hockfield’s plan to make MIT the „energy university“ and by MIT’s interdisciplinary energy curriculum that integrates research and practice.

    This spring, Kennedy taught a new MIT architecture course, Soft Space: Sustainable Strategies for Textile Construction. She challenged the students to design architectural proposals for a new fast train station and public market in Porto, Portugal.

    For Mary Hale, graduate student in architecture, Kennedy’s Soft Space course was an inspiration to pursue photovoltaic technology in her master’s thesis. „I have always been interested in photovoltaics, but before this studio, I am not sure that I would have felt empowered to integrate them into a personal, self-propelled, project,“ she says.

    Kennedy, for her part, will pursue her research in pushing the envelope of energy-efficiency and architecture. A recent project, „Soft House,“ exhibited at the Vitra Design Museum in Essen, Germany, illustrates what Kennedy means when she says the boundaries between walls and utilities are changing.

    For Soft House, Kennedy transformed household curtains into mobile, flexible energy-harvesting surfaces with integrated solid-state lighting. Soft House curtains move to follow the sun and can generate up to 16,000 watt-hours of electricity–more than half the daily power needs of an average American household. Although full-scale Soft House prototypes were successfully developed, the project points to a challenge energy innovators and other inventors face, Kennedy says. „Emerging technologies tend to under-perform compared with dominant mainstream technologies.“

    For example, organic photovoltaics (OPV), an emergent solar nano-technology used by the Soft House design team, are currently less efficient than glass-based solar technologies, Kennedy says.

    But that lower efficiency needn’t be an insurmountable roadblock to the marketplace, Kennedy says, because Soft House provides an actual application of the unique material advantages of solar nano-technologies without having to compete with the centralized grid.

    Which brings her back to the hands-on, prototype-building approach Kennedy hopes to draw from in her teaching and work at MIT. „Working prototypes are a very important demonstration tool for showing people that there are whole new ways to think about energy,“ she says.“

    Links to Kennedy & Violich Architecture, Ltd.>

    Links to the non-profit project portablelight.org>

    Link to Luminale/Boston connection>Boston. MIT news reports: Sheila Kennedy, an expert in the integration of solar cell technology in architecture who is now at MIT, creates designs for flexible photovoltaic materials that may change the way buildings receive and distribute energy. These new materials, known as solar textiles, work like the now-familiar photovoltaic cells in solar panels. Made of semiconductor materials, they absorb sunlight and convert it into electricity.

    Kennedy uses 3-D modeling software to design with solar textiles, generating membrane-like surfaces that can become energy-efficient cladding for roofs or walls. Solar textiles may also be draped like curtains. „Surfaces that define space can also be producers of energy,“ says Kennedy, a visiting lecturer in architecture. „The boundaries between traditional walls and utilities are shifting.“

    Principal architect in the Boston firm, Kennedy & Violich Architecture, Ltd., and design director of its materials research group, KVA Matx, Kennedy came to MIT this year. She was inspired, she says, by President Susan Hockfield’s plan to make MIT the „energy university“ and by MIT’s interdisciplinary energy curriculum that integrates research and practice.

    This spring, Kennedy taught a new MIT architecture course, Soft Space: Sustainable Strategies for Textile Construction. She challenged the students to design architectural proposals for a new fast train station and public market in Porto, Portugal.

    For Mary Hale, graduate student in architecture, Kennedy’s Soft Space course was an inspiration to pursue photovoltaic technology in her master’s thesis. „I have always been interested in photovoltaics, but before this studio, I am not sure that I would have felt empowered to integrate them into a personal, self-propelled, project,“ she says.

    Kennedy, for her part, will pursue her research in pushing the envelope of energy-efficiency and architecture. A recent project, „Soft House,“ exhibited at the Vitra Design Museum in Essen, Germany, illustrates what Kennedy means when she says the boundaries between walls and utilities are changing.

    For Soft House, Kennedy transformed household curtains into mobile, flexible energy-harvesting surfaces with integrated solid-state lighting. Soft House curtains move to follow the sun and can generate up to 16,000 watt-hours of electricity–more than half the daily power needs of an average American household.

    Although full-scale Soft House prototypes were successfully developed, the project points to a challenge energy innovators and other inventors face, Kennedy says. „Emerging technologies tend to under-perform compared with dominant mainstream technologies.“

    For example, organic photovoltaics (OPV), an emergent solar nano-technology used by the Soft House design team, are currently less efficient than glass-based solar technologies, Kennedy says.

    But that lower efficiency needn’t be an insurmountable roadblock to the marketplace, Kennedy says, because Soft House provides an actual application of the unique material advantages of solar nano-technologies without having to compete with the centralized grid. Which brings her back to the hands-on, prototype-building approach Kennedy hopes to draw from in her teaching and work at MIT.

    „Working prototypes are a very important demonstration tool for showing people that there are whole new ways to think about energy,“ she says.

    Links to Kennedy & Violich Architecture, Ltd.>

    Links to the non-profit project portablelight.org>

    Link to Luminale/Boston connection>