Luminapolis

Schlagwort: Sustainability

  • LUCI Charter: Für eine Lichtkultur der NachhaltigkeitLUCI Charter on Urban Lighting

    Auf der Generalversammlung von LUCI (Lighting Urban Community International) in Chartres ist eine Erklärung zum Thema „Lichtkultur der Nachhaltigkeit“ verabschiedet worden. Der Energieverschwendung und Lichtverschmutzung wird eine Absage erteilt. LUCI gehören rund 60 Städte rund um den Globus an. More>On the general assembly of the LUCI (Lighting Urban Community International) in Chartres a LUCI Charter has been adopted on the subject „Promoting a culture of sustainability in Lighting“. A refusal is given to the energy waste and light pollution. LUCI members are about 60 cities all around the globe. More>

  • Zumtobel Group Award Festakt: 9. September Bregenz Zumtobel Group Award Ceremony: September 9th, Bregenz

    Die Jury tagte Anfang Februar am Roden Crater (James Turrell) und die Preisträger stehen fest. In der Kategorie „Gebaute Umwelt“ gewann das Harmonia // 57 Bürogebäude in Sao Paulo, Brasilien. Es wurde designed von Triptyque Architects, Paris, Frankreich/Sao Paulo, Brasilien und fertiggestellt im Jahre 2008. Preisträger in der Kategorie „Forschung & Initiative“ ist das Projekt New York City Resource & Mobility. Das Projekt wurde entworfen von Terreform ONE + Terrefuge: Mitchell Joachim & Maria Aiolova, New York, USA. Mehr> The jury met at James Turrell’s Roden Crater in Arizona (USA) at the beginning of February 2010 and selected the winners. In the category „Built environment“ the winner is the Harmonia // 57 Office Building in Sao Paulo, Brazil. It is designed by Triptyque Architects, Paris, France/Sao Paulo, Brazil and completed in 2008. Winner in the category „Research & Initiative“ is New York City Resource & Mobility („Self-Sufficient City“). It is designed by Terreform ONE + Terrefuge, New York, USA. More>

  • Die Stadt nach dem ÖlThe Post-Oil City

    Die ökologische Katastrophe im Golf von Mexiko zeigt die große Aktualität des Themas: Die Stadt nach dem Öl. Das IFA – Institut für Auslandsbeziehungen präsentiert in einer Ausstellung Stadtkonzepte für diese Zukunft. Masdar in Abu Dhabi ist eines dieser Konzepte. Mehr> The ecological disaster in the gulf of Mexico shows the actuality of the subject: The city after the oil. The IFA – Institute of Foreign Relations presents city concepts for this future in an exhibition. Masdar in Abu Dhabi is one of these concepts. More>

  • Führung durch KfW-GebäudeTour around the KfW Building

    Die KfW hat sich dem Prinzip der Nachhaltigkeit verpflichtet, auch mit ihren Bauvorhaben. Alle Belange des ökologischen Bauens sind ebenso berücksichtigt wie eine Vielzahl von innovativen Lösungen. Das Anliegen, Energieeffizienz und Nutzung erneuerbarer Energien, Ergonomie und architektonisches Design miteinander in Einklang zu bringen, wird erfüllt. Die KfW baut herausragende Bürogebäude und wurde bereits mehrfach ausgezeichnet.The KfW has obligated itself to the principle of sustainability, even with its buildings. All aspects of ecological building have been taken into account, as have numerous innovative solutions. The aim of combining energy efficiency and the use of renewable energies, ergonometrics and architectural design has been accomplished. The KfW builds outstanding office buildings which have won them many prizes.
    Sustainability and energy efficiency by the example of the KfW Frankfurt building.

  • Nature Trust Organisation for Ecological City LightingNABU – Naturschutzbund fördert ökologische Stadtbeleuchtung

    Interessierten Kommunen und Stadtwerken bietet der NABU an, Sanierungsprojekte mit persönlicher Beratung, in Form von Workshops vor Ort oder bei der Öffentlichkeitsarbeit zu unterstützen. Ein Flyer informiert über energieeffiziente Techniken und ökologische Kriterien. Mehr>

    To interested local authorities the NABU (nature trust organisation) offers to support reorganization projects with personal consultation, in the form of workshops on site or with public relations. A flyer informs about energy-efficient technologies and ecological criteria. More>

  • Europäische Solarpreise 2009 ausgeschriebenEuropean Solarprizes 2009 – Call for Tenders

    Für herausragende innovative und kreative Leistungen bei der Verbreitung und Anwendung Erneuerbarer Energien verleiht EUROSOLAR e.V. auch in diesem Jahr die Deutschen und Europäischen Solarpreise. Bis zum 31. Juli 2009 nimmt EUROSOLAR Bewerbungen und Vorschläge entgegen. Mehr>

    Since 1994 EUROSOLAR has been awarding the National and the European Solar Prizes to municipalities, companies, individuals using Renewable Energies, and to organizations who rendered outstanding service to the utilization of Renewable Energy. Now for the Prizes of 2009 tenders are called. More>

  • Redesigndesign: LightenUp – Sustainable Ideas

    ‚Lighten Up‘ ist das Ergebnis einer erhellenden Erforschung des Themas Licht und Nachhaltigkeit von 64 Designern und Büros: lanna Cochrane, Alexander Harris, Alison Edwards, Andreas Nydahl, Andrew Lang Product Design, Anglepoise, Anna McConnell, Antigor, Artal Designs, Ateliero, Baobab, BlueGreen&Co, Charlie Davidson Studio, Cohda, Darren Donati, David Gardener, David Stovell Design, Demelza Hill, DH product design, DIY Kyoto, Draigo, Ed Horsford, Firewinder Company, Giles Miller, Higher Market Studio, Hulger, Ian Bach, Jamsheed Todiwala, Jane Blease Design, Jericho Hands, John Wischhusen, Julia Lohmann, Kate Goldsworthy, Lizzie Lee Lighting, Lost and Found, Louisa Cranmore, Lula Dot, Luminair, Maria Kafel-Bentkowska, MASIF Designs, Michelle Brand, Mixko, Play Design, Rachel Hevicon, Rawstudio,RE:thinkthings, Rentaro Nishimura, Re-silicone, rmkdesignoffice, Simon White Design, SKK, Startup Design, Stella Corrall & Sarah Thirlwell, Studiomama, Studiomold, Suck UK, Susan Bradley, Tea Un Kim, Tim Edgeler Design, Tom Raffield, Vamped, WEmake und Yoon Bahk.

    Das Thema Nachhaltigkeit treibt die Evolution von neuen Technologien, Ästhetik, Materialien und Wechselwirkungen. ‚Lighten Up‘ zeigt die Ideen und Lösungsansätze der nächsten Generation. Mehr>

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    Lighten Up is an illuminating exploration of 64 switched-on domestic lighting solutions from the UK: lanna Cochrane, Alexander Harris, Alison Edwards, Andreas Nydahl, Andrew Lang Product Design, Anglepoise, Anna McConnell, Antigor, Artal Designs, Ateliero, Baobab, BlueGreen&Co, Charlie Davidson Studio, Cohda, Darren Donati, David Gardener, David Stovell Design, Demelza Hill, DH product design, DIY Kyoto, Draigo, Ed Horsford, Firewinder Company, Giles Miller, Higher Market Studio, Hulger, Ian Bach, Jamsheed Todiwala, Jane Blease Design, Jericho Hands, John Wischhusen, Julia Lohmann, Kate Goldsworthy, Lizzie Lee Lighting, Lost and Found, Louisa Cranmore, Lula Dot, Luminair, Maria Kafel-Bentkowska, MASIF Designs, Michelle Brand, Mixko, Play Design, Rachel Hevicon, Rawstudio, RE:thinkthings, Rentaro Nishimura, Re-silicone, rmkdesignoffice, Simon White Design, SKK, Startup Design, Stella Corrall & Sarah Thirlwell, Studiomama, Studiomold, Suck UK, Susan Bradley, Tea Un Kim, Tim Edgeler Design, Tom Raffield, Vamped, WEmake and Yoon Bahk.

    The quest for sustainability is driving the evolution of new technologies, aesthetics, materials and interactions. Shedding light on the stories behind the products, Lighten Up offers insight and inspiration for the next generation of lighting. More>

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  • Christoph Ernst: ‚Windmove‘ – Art in Energy


    Karlsruhe. Christoph Ernst has realized the light art project ‚Windmove‘ on a windpower-installation. It stands on the „energy mountain“, a former garbage dump near Karlsruhe. The 25 meter long rotor sheets are equipped with 192 electroluminescense transparencies of 100 x 10 cms and are protected with erosion protection transparencies of 3M. More>Karlsruhe. Christoph Ernst hat das weithin sichtbare Lichtkunstprojekt ‚Windmove‚ realisiert. Bespielt wird eine Windkraftanlage. Sie steht auf dem Energieberg, einer ehemaligen Mülldeponie im unmittelbaren Stadtgebiet von Karlsruhe. Die 25 Meter langen Rotorblätter sind mit 192 Elektrolumineszenzfolien von je 100 x 10 cm bestückt und mit 3M Erosionsschutzfolien geschützt. Mehr>

  • The World’s First Sustainable DanceClub Just OpenedErste „nachhaltige“ Disco der Welt eröffnet


    Rotterdam. WATT is a hotly-anticipated, experimental pop venue in the Netherlands. WATT has street cred, yet it also shows that nightlife, sustanability and a commercial enterprise can go together to make a successful business. WATT is ahead of the game in terms of sustainable business practice within the industry and is at the cutting edge of innovation. More>Rotterdam. WATT ist einer der ganz heißen Popkultur-Locations in den Niederlanden. WATT hat eine hohe Glaubwürdigkeit bei der Zielgruppe und zeigt, dass Nachtleben, Nachhaltigkeit und Kommerz zu einem erfolgreichen Geschäft zusammen geführt werden können. WATT ist vorn im Wettbewerb um nachhaltige Geschäftsentwicklung und steht mit an der Spitze der Innovation. Mehr>

  • Green Energy: Kennedy’s Photovoltaic Curtains

    Boston. Aufsehen erregende Neuigkeit vom Massachusetts Institute of Technology (MIT aus Boston). Sheila Kennedy, die sich mit der Integration von Solarzellen in die Architektur beschäftigt, hat Strom erzeugende Vorhänge entwickelt. Das Büro Kennedy Violich Architecture betreibt auch seit längerem das Projekt „Portable Light„, das in Entwicklungsländern zu einer vom Netz unabhängigen Beleuchtung in den Abendstunden beiträgt, die beispielsweise für die Bildung nach Feierabend genutzt werden kann.

    Aber lesen Sie selbst: „Sheila Kennedy, an expert in the integration of solar cell technology in architecture who is now at MIT, creates designs for flexible photovoltaic materials that may change the way buildings receive and distribute energy. These new materials, known as solar textiles, work like the now-familiar photovoltaic cells in solar panels. Made of semiconductor materials, they absorb sunlight and convert it into electricity.

    Kennedy uses 3-D modeling software to design with solar textiles, generating membrane-like surfaces that can become energy-efficient cladding for roofs or walls. Solar textiles may also be draped like curtains.“Surfaces that define space can also be producers of energy,“ says Kennedy, a visiting lecturer in architecture. „The boundaries between traditional walls and utilities are shifting.“

    Principal architect in the Boston firm, Kennedy & Violich Architecture, Ltd., and design director of its materials research group, KVA Matx, Kennedy came to MIT this year. She was inspired, she says, by President Susan Hockfield’s plan to make MIT the „energy university“ and by MIT’s interdisciplinary energy curriculum that integrates research and practice.

    This spring, Kennedy taught a new MIT architecture course, Soft Space: Sustainable Strategies for Textile Construction. She challenged the students to design architectural proposals for a new fast train station and public market in Porto, Portugal.

    For Mary Hale, graduate student in architecture, Kennedy’s Soft Space course was an inspiration to pursue photovoltaic technology in her master’s thesis. „I have always been interested in photovoltaics, but before this studio, I am not sure that I would have felt empowered to integrate them into a personal, self-propelled, project,“ she says.

    Kennedy, for her part, will pursue her research in pushing the envelope of energy-efficiency and architecture. A recent project, „Soft House,“ exhibited at the Vitra Design Museum in Essen, Germany, illustrates what Kennedy means when she says the boundaries between walls and utilities are changing.

    For Soft House, Kennedy transformed household curtains into mobile, flexible energy-harvesting surfaces with integrated solid-state lighting. Soft House curtains move to follow the sun and can generate up to 16,000 watt-hours of electricity–more than half the daily power needs of an average American household. Although full-scale Soft House prototypes were successfully developed, the project points to a challenge energy innovators and other inventors face, Kennedy says. „Emerging technologies tend to under-perform compared with dominant mainstream technologies.“

    For example, organic photovoltaics (OPV), an emergent solar nano-technology used by the Soft House design team, are currently less efficient than glass-based solar technologies, Kennedy says.

    But that lower efficiency needn’t be an insurmountable roadblock to the marketplace, Kennedy says, because Soft House provides an actual application of the unique material advantages of solar nano-technologies without having to compete with the centralized grid.

    Which brings her back to the hands-on, prototype-building approach Kennedy hopes to draw from in her teaching and work at MIT. „Working prototypes are a very important demonstration tool for showing people that there are whole new ways to think about energy,“ she says.“

    Links to Kennedy & Violich Architecture, Ltd.>

    Links to the non-profit project portablelight.org>

    Link to Luminale/Boston connection>Boston. MIT news reports: Sheila Kennedy, an expert in the integration of solar cell technology in architecture who is now at MIT, creates designs for flexible photovoltaic materials that may change the way buildings receive and distribute energy. These new materials, known as solar textiles, work like the now-familiar photovoltaic cells in solar panels. Made of semiconductor materials, they absorb sunlight and convert it into electricity.

    Kennedy uses 3-D modeling software to design with solar textiles, generating membrane-like surfaces that can become energy-efficient cladding for roofs or walls. Solar textiles may also be draped like curtains. „Surfaces that define space can also be producers of energy,“ says Kennedy, a visiting lecturer in architecture. „The boundaries between traditional walls and utilities are shifting.“

    Principal architect in the Boston firm, Kennedy & Violich Architecture, Ltd., and design director of its materials research group, KVA Matx, Kennedy came to MIT this year. She was inspired, she says, by President Susan Hockfield’s plan to make MIT the „energy university“ and by MIT’s interdisciplinary energy curriculum that integrates research and practice.

    This spring, Kennedy taught a new MIT architecture course, Soft Space: Sustainable Strategies for Textile Construction. She challenged the students to design architectural proposals for a new fast train station and public market in Porto, Portugal.

    For Mary Hale, graduate student in architecture, Kennedy’s Soft Space course was an inspiration to pursue photovoltaic technology in her master’s thesis. „I have always been interested in photovoltaics, but before this studio, I am not sure that I would have felt empowered to integrate them into a personal, self-propelled, project,“ she says.

    Kennedy, for her part, will pursue her research in pushing the envelope of energy-efficiency and architecture. A recent project, „Soft House,“ exhibited at the Vitra Design Museum in Essen, Germany, illustrates what Kennedy means when she says the boundaries between walls and utilities are changing.

    For Soft House, Kennedy transformed household curtains into mobile, flexible energy-harvesting surfaces with integrated solid-state lighting. Soft House curtains move to follow the sun and can generate up to 16,000 watt-hours of electricity–more than half the daily power needs of an average American household.

    Although full-scale Soft House prototypes were successfully developed, the project points to a challenge energy innovators and other inventors face, Kennedy says. „Emerging technologies tend to under-perform compared with dominant mainstream technologies.“

    For example, organic photovoltaics (OPV), an emergent solar nano-technology used by the Soft House design team, are currently less efficient than glass-based solar technologies, Kennedy says.

    But that lower efficiency needn’t be an insurmountable roadblock to the marketplace, Kennedy says, because Soft House provides an actual application of the unique material advantages of solar nano-technologies without having to compete with the centralized grid. Which brings her back to the hands-on, prototype-building approach Kennedy hopes to draw from in her teaching and work at MIT.

    „Working prototypes are a very important demonstration tool for showing people that there are whole new ways to think about energy,“ she says.

    Links to Kennedy & Violich Architecture, Ltd.>

    Links to the non-profit project portablelight.org>

    Link to Luminale/Boston connection>