Der International Lighting Design Index versammelt die innovativen Köpfe mit ihren aktuellen Projekten und präsentiert den Überblick über die Technologie getriebenen Trends im Umgang mit Licht. In Zusammenarbeit mit dem Verlag avedition (bestens bekannt zum Beispiel durch das ‚Trade Fair Design Annual‘) haben Helmut M. Bien (Kurator Luminale) und Markus Helle (Highlight Magazin) einen Index herausgegeben, der der Licht-Industrie, Bauherren, Projekt-Entwicklern, Stadtverwaltungen, Landschaftsplanern, Innenarchitekten, Szenographen und Design-Agentuen bei der Partnersuche zum Thema Licht hilft. Jetzt gibt es ein internationales Nachschlagewerk für Designer und Architekten. Den International Lighting Design Index (ILDI) können Sie hier bestellen >
The International Lighting Design Index collects the innovators and leading heads together with their current projects to present the contemporary technology-driven trends. In collaboration with the publishers avedition (also known for their “Trade Fair Design Annual”) Helmut M. Bien (Curator Luminale) an Markus Helle (Highlight Magazine) have created an index which will allow the light industry, contractors, project developers, local councils, landscape planners and interior designers, scenographers and design agencies to find interesting project partners. Now an international work of reference exists with addresses both designers and architects. Here you can order the International Lighting Design Index (ILDI) >
Schlagwort: Media Facades
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International Lighting Design Index 2010International Lighting Design Index 2010
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Gernot Tscherteu: Medien Architektur Biennale in WienGernot Tscherteu: Media Architecture Biennale in Vienna
Vom 7. bis 31. Oktober findet im Künstlerhaus Wien die Media Architecture Biennale 2010 statt. Luminapolis sprach mit Dr. Gernot Tscherteu (reality lab – mediadesign and rearch), einem der Kuratoren der Ausstellung. Tscherteu gehört zu den führenden Köpfen der noch jungen Szene. Nach der Luminale 2010 gab es eine Reihe von Medien+Architektur-Ereignissen wie das laufende Media Facades Festival Europe 2010 oder der Workshop auf der Ars Electronica. Die Wiener Biennale dürfte der Höhepunkt dieser Veranstaltungsserie werden.
Luminapolis: Dr. Tscherteu, what is your personal interest in the link between media and architecture? And when did you start to be curious on this subject?
Gernot Tscherteu: Well, my wife is architect and i love architecture in many ways – as a media designer. I was always interested in projects that happen beyond the computer screen. In 2004 during our work for the University of Applied Arts in Vienna, T-Mobile asked us for an artistic proposal for the facade of the new T-Center in Austria. At that time we thought the first time about a building integrated media facade system, which then was prototyped in the mediaface.net project.
Luminapolis: During last Luminale you organized the Media Facade Summit in Frankfurt. Now six month later the Media Architectur Biennale follows in Vienna. What is the difference between these two events?
Gernot Tscherteu: The Summit took advantage of the unique opportunity that the whole light+buidling industry and a lot of creatives comes to the Luminale and the trade show. The presentations there were intended to provide a summary of the state of the art in the field. During the Biennale there will much more time to meet and discuss into depth during our 3 days conference curated by Oliver Schürer. In our large exhibition we will show projects and the technology behind. The Biennale is our biggest project so far: It is planned since August 2009 and currently there are more than 10 persons involved in the organisation and production.
Luminapolis: The public space is a very difficult sphere between privacy and publicity, commercial and social interests. A lot of project are occupying this space with media messages. I think it is difficult to find the right balance.
Gernot Tscherteu: I totally agree! It is not our goal to maximise the number of Media Architectures but to maximise its quality and its usefulness for public space. We want to promote the discourse around these projects and raise the public awareness so that a common sense of responsibility and quality evolves. We cannot make aggressive led-screen technology unhappen, but we can help to discuss the important issues and bring the different stakeholders together so that the projects will become better.
Luminapolis: What kind of visitors do you expect on your conference?
Gernot Tscherteu: In the conference we expect four groups of stakeholders: creatives: architects and (media) designers / artists, lighting and building industry and their technical experts, media and telecommunication sector and sciences and city administration. The conference will be forum for these groups and allows the discusssion of overlapping issues in the panels as well as more specific topics in smaller groups in the workshops.
Luminapolis: Do you know an example of a perfect media architecture? And can you give a discription of it?
Gernot Tscherteu: We do not have a monolithic understanding of Media Architecture. The exhibition in Vienna that I curate together with Martin Tomitsch will show that there are different cultural settings in which the production of Media Architectures takes place; we call them „animated architecture“, „money architecture“, social media architecture“, „spatial media art“ and „future trends“. Each setting has its own key projects and „stars“. I personally prefer „Architecture“ – which is more than a big screen on the facade. Therefore i like the work of UNStudio, Asymptote or realities:united. But come and see yourself!
From October 7th to the 31st the Media Architektur Biennale 2010 takes place in the Künstlerhaus (artists‘ house) Vienna. Luminapolis spoke with Dr. Gernot Tscherteu (reality lab – mediadesign and rearch), one of the curators of the exhibition. Tscherteu is one of the leading heads of this young scene. With Luminale in 2010 a serie of media +architecture events starts like the current Media Facades Festival Europe 2010 or the workshop on the Ars Electronica. The Biennale in Vienna might become the summit of this serie.
Luminapolis: Dr. Tscherteu, what is your personal interest in the link between media and architecture? And when did you start to be curious on this subject?
Gernot Tscherteu: Well, my wife is architect and i love architecture in many ways – as a media designer. I was always interested in projects that happen beyond the computer screen. In 2004 during our work for the University of Applied Arts in Vienna, T-Mobile asked us for an artistic proposal for the facade of the new T-Center in Austria. At that time we thought the first time about a building integrated media facade system, which then was prototyped in the mediaface.net project.
Luminapolis: During last Luminale you organized the Media Facade Summit in Frankfurt. Now six month later the Media Architectur Biennale follows in Vienna. What is the difference between these two events?
Gernot Tscherteu: The Summit took advantage of the unique opportunity that the whole light+buidling industry and a lot of creatives comes to the Luminale and the trade show. The presentations there were intended to provide a summary of the state of the art in the field. During the Biennale there will much more time to meet and discuss into depth during our 3 days conference curated by Oliver Schürer. In our large exhibition we will show projects and the technology behind. The Biennale is our biggest project so far: It is planned since August 2009 and currently there are more than 10 persons involved in the organisation and production.
Luminapolis: The public space is a very difficult sphere between privacy and publicity, commercial and social interests. A lot of project are occupying this space with media messages. I think it is difficult to find the right balance.
Gernot Tscherteu: I totally agree! It is not our goal to maximise the number of Media Architectures but to maximise its quality and its usefulness for public space. We want to promote the discourse around these projects and raise the public awareness so that a common sense of responsibility and quality evolves. We cannot make aggressive led-screen technology unhappen, but we can help to discuss the important issues and bring the different stakeholders together so that the projects will become better.
Luminapolis: What kind of visitors do you expect on your conference?
Gernot Tscherteu: In the conference we expect four groups of stakeholders: creatives: architects and (media) designers / artists, lighting and building industry and their technical experts, media and telecommunication sector and sciences and city administration. The conference will be forum for these groups and allows the discusssion of overlapping issues in the panels as well as more specific topics in smaller groups in the workshops.
Luminapolis: Do you know an example of a perfect media architecture? And can you give a discription of it?
Gernot Tscherteu: We do not have a monolithic understanding of Media Architecture. The exhibition in Vienna that I curate together with Martin Tomitsch will show that there are different cultural settings in which the production of Media Architectures takes place; we call them „animated architecture“, „money architecture“, social media architecture“, „spatial media art“ and „future trends“. Each setting has its own key projects and „stars“. I personally prefer „Architecture“ – which is more than a big screen on the facade. Therefore i like the work of UNStudio, Asymptote or realities:united. But come and see yourself!
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London: Kinetic Art Fair
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Ein kurzer Überblick über die Kinetic Art Fair in London. Anfang März trafen sich dort die Designer der interaktiven Welten. Kunst, Design und Technologie lernen voneinander.
A very short overview about the Kinetic Art Fair in London. At the beginning of March the designers of the interactive worlds met there. Art, design and technology learn from each other.
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Diskussion um Luminale-Projekt: Sparda-Bank-FassadeLuminale-Project Sparda-Bank-Facade in Discussion
Frankfurt am Main. Am 4. Dezember stellen Prof. Andreas Schulz und Stefan Hofmann, Licht Kunst Licht AG, ihre dynamisch illuminierte Fassade der Sparda-Bank dem Fachpublikum vor. Das Projekt war auch Teil der Luminale 08 – Biennale der Lichtkultur. Eingeladen hat der FVL Fachverband Lichtwerbung e.V..
Frankfurt am Main. On the 4th December Prof. Andreas Schulz and Stefan Hofmann, Licht Kunst Licht AG, introduce the dynamically illuminated facade of the Sparda bank to the professional audience. The project was part of the Luminale 08 – Biennial of the lighting culture. It is an event of the FVL Fachverband Lichtwerbung (light advertising) e. V..
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Documentation: Media Facades 2008
Gernot Tscherteu (Wien), einer der Organisatoren des Mediaarchitecture-Festivals, schickt uns seine Dokumentation der Ausstellung. Darüber hinaus können wir den Lesern des Luminale-Blogs auch ein Download des Kataloges anbieten.
Gernot Tscherteu (Vienna), one of the organizers of the Mediaarchitecture festival, mails us his documentation of the exhibition. In addition, to the readers of the Luminale-Blog we can offer a download of the catalog.
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Media Facades Festival 2008
Berlin. Das Festival reflektiert den weltweiten Trend zu großflächigen digitalen Bildern, die in Fassaden integriert sind und erforscht ihre kommunikative Wirkung auf das städtische Umfeld. Mehr>
Berlin. The Festival reflects on a worldwide trend of large digital moving images
integrated in facade structures and investigating their communicative function
in the urban environment. More>
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Citizen group defends lighting Bayer-CrossBürgerinitiative für leuchtendes Bayer-Kreuz
Bayer has announced, to switch off the biggest lighting billboard of the world, the „Bayer cross“ in Leverkusen in 2009. The letters are seven meters high. The diameter of the brand icon lies with 118 meters and 1.712 light bulbs (40W) let it shine. A citizens‘ group defends the sign and has collected 20.741 signatures (20th October) for the preservation of the Leverkusen-Icon which shines since 1958. Soon there is a new logo and this should be shown on one of the biggest media facades of the world. Therefore the former headquarters will be renovated. At the moment there run the first tests. The brightness of the planned 3.5 millions LEDs reaches according to newspaper reports up to 20 kilometers away. The electricity for the media facade should be generated partly in a photovoltaik powerstation.Bayer hat angekündigt, 2009 die größte Leuchtreklame der Welt, das „Bayer-Kreuz“ in Leverkusen, auszuschalten. Sieben Meter hoch sind die Buchstaben. Der Durchmesser des Markenzeichens liegt bei 118 Metern und 1.712 Glühbirnen (40W) lassen es leuchten. Eine Bürgerinitiative „Das Kreuz muss bleiben!“ wehrt sich die Abschaltung und hat 20.741 Unterschriften (20. Oktober) für den Erhalt des Zeichens gesammelt, das seit 1958 für Leverkusen leuchtet. Bald gibt es ein neues Logo und das soll auf einer der größten Medienfassaden der Welt gezeigt werden. Dafür wird die ehemalige Konzernzentrale umgebaut. Zur Zeit laufen erste Tests. Die Leuchtkraft der geplanten 3,5 Millionen LEDs reicht Zeitungsberichten zufolge bis zu 20 Kilometer weit. Der Strom für die Medienfassade soll zum Teil in einer Photovoltaik-Anlage erzeugt werden.