Luminapolis

Schlagwort: Light + Media

  • Jürgen Meier: Lichtfestival zum Gedenken an den 9. Oktober Juergen Meier: The Lightfestival as a Memorial Event

    Luminapolis: Juergen Meier, October 9th is a historical day in german history. The day of the demonstration in Leipzig that makes the wall to fall down. Last year you started a very special light festival in Leipzig as a memorial event. Can you explain the main idea of this festival in a few words?

    Juergen Meier
    : Central theme of the Leipzig Lightfestival 2009 was the occupancy of the Leipzig urban space by it’s citizens in the autumn 1989. The visitor to the festival followed the route of the demonstration in 1989 in which 70.000 people took part. Twenty art installations transformed the memory of this event into a contemporary statement and turned the centre of the city into a temporary work of art.

    Luminapolis
    : For me this festival shows the social function of lights as a media to build a community. A festival that involves the artists as well as the public. After the big success of 2009 what is the concept in this year?

    Juergen Meier
    : From 2010 until 2013 the Leipzig Festival of Light will take place on the Augustusplatz. In 2014 it again will be extended to the inner ring. This year we will perform a sound-, light- and video installation using classical and contemporary music as well as laser and videoprojection. We are then going to look at the European dimension of the peacefull revolution and start by focusing on Poland in 2011.

    Luminapolis
    : What are your personal experiences with light? How did you come in contact with professional lighting?

    Juergen Meier
    : I studied art in Münster and London and startet my first media projects in the early 90ies. All works such as the mobiles from 1992 or the mediafacades from 1998 involved actions and reactions of the viewer. Light has turned out to be the constituting element in all of my projects. Light is a medium for communication on the receptionist side and also a craft on the production side.

    Luminapolis
    : What is the most important project you realized in the last ten years?

    Juergen Meier
    : „KLT 14“ is an installation in the German city of Bochum, which I completed last year. It sets standards for the use of interactive technology in urban space: a camera sensoric counts the users of the subway Wittener Straße at Bochums main train station and displays the total amount on digital counters at the entrances to the subway. User profiles are translated into light szenarios, which are constantly updated by the sensoric system.

    Luminapolis
    : What do you think are the challenges for professional lighting designers in the near future?

    Juergen Meier
    : Light and video are following convergent trends and will unite in the near future. This means cultural, social and political tasks will be central for lighting designers and communication and participation will be the mayor aim of public lighting.

    Luminapolis
    : What is your next project?

    Juergen Meier
    : I am looking forward to finishing the project „Modellprojekt Innerer Ring, Leipzig“ next year, focussing on intelligent lighting for the inner city of Leipzig. I am also looking forward to the realisation of Lichtschwarm lights, a concept which I startet in 2005 and adresses the communication between luminaires by means of light.

    Information about Leipziger Freiheit

    Juergen Meier
    Seumestraße 34 B
    04249 Leipzig
    t +49 341 479 15 00
    f +49 341 480 72 02
    www.digitalehaut.de
    Luminapolis: Juergen Meier, October 9th is a historical day in german history. The day of the demonstration in Leipzig that makes the wall to fall down. Last year you started a very special light festival in Leipzig as a memorial event. Can you explain the main idea of this festival in a few words?

    Juergen Meier
    : Central theme of the Leipzig Lightfestival 2009 was the occupancy of the Leipzig urban space by it’s citizens in the autumn 1989. The visitor to the festival followed the route of the demonstration in 1989 in which 70.000 people took part. Twenty art installations transformed the memory of this event into a contemporary statement and turned the centre of the city into a temporary work of art.

    Luminapolis
    : For me this festival shows the social function of lights as a media to build a community. A festival that involves the artists as well as the public. After the big success of 2009 what is the concept in this year?

    Juergen Meier
    : From 2010 until 2013 the Leipzig Festival of Light will take place on the Augustusplatz. In 2014 it again will be extended to the inner ring. This year we will perform a sound-, light- and video installation using classical and contemporary music as well as laser and videoprojection. We are then going to look at the European dimension of the peacefull revolution and start by focusing on Poland in 2011.

    Luminapolis
    : What are your personal experiences with light? How did you come in contact with professional lighting?

    Juergen Meier
    : I studied art in Münster and London and startet my first media projects in the early 90ies. All works such as the mobiles from 1992 or the mediafacades from 1998 involved actions and reactions of the viewer. Light has turned out to be the constituting element in all of my projects. Light is a medium for communication on the receptionist side and also a craft on the production side.

    Luminapolis
    : What is the most important project you realized in the last ten years?

    Juergen Meier
    : „KLT 14“ is an installation in the German city of Bochum, which I completed last year. It sets standards for the use of interactive technology in urban space: a camera sensoric counts the users of the subway Wittener Straße at Bochums main train station and displays the total amount on digital counters at the entrances to the subway. User profiles are translated into light szenarios, which are constantly updated by the sensoric system.

    Luminapolis
    : What do you think are the challenges for professional lighting designers in the near future?

    Juergen Meier
    : Light and video are following convergent trends and will unite in the near future. This means cultural, social and political tasks will be central for lighting designers and communication and participation will be the mayor aim of public lighting.

    Luminapolis
    : What is your next project?

    Juergen Meier
    : I am looking forward to finishing the project „Modellprojekt Innerer Ring, Leipzig“ next year, focussing on intelligent lighting for the inner city of Leipzig. I am also looking forward to the realisation of Lichtschwarm lights, a concept which I startet in 2005 and adresses the communication between luminaires by means of light.

    Information about Leipziger Freiheit

    Juergen Meier
    Seumestraße 34 B
    04249 Leipzig
    t +49 341 479 15 00
    f +49 341 480 72 02
    www.digitalehaut.de

  • Time Shadows – Video-Raum-Installation von Philipp GeistTime Shadows – Video Space Installation by Philipp Geist

    Senckenberg
    Der Dinosauriersaal mit seinen Giganten aus einer fernen Vergangenheit wird zu einer begehbaren Video-Raum-Installation. Mit künstlerischen Mitteln interpretiert Philipp Geist die vielschichtigen Erfahrungen, die man an diesem Ort der Wunder und der Wissenschaft macht. Die Besucher tauchen ein in einen dichten Dschungel von Wortgeflechten, die zum Reflektieren über unsere Beziehung zu den Anfängen des Lebens einladen. Bild: Philipp Geist, 2010 / VG Bild-Kunst BonnSenckenbergThe Dinosaur Hall with its giants from the distant past is transformed into a walk-in video-space-installation. By artistic means Philipp Geist interprets the multi-facetted experiences one has in this place of wonders and science. Visitors plunge into a dense jungle of tangles of words, which invite us to reflect on our relationship with the origins of life.
    Photo: Philipp Geist 2010 / VG Bild-Kunst Bonn

  • Teddy Lo: The Positive VoidTeddy Lo: The Positive Void


    In einem quadratischen Rahmen werden virtuelle Bilder projiziert, die vom Betrachter mit den Augen oder über Kopfbewegungen gesteuert werden können. Die Kunstinstallation von Teddy Lo zeigt, wie digitale Informationen mit dem optischen System des Menschen auch in einem begrenzten Projektionsraum verknüpft werden können. Gezeigt werden Vektor- und Raster-Bilder aus den Bereichen Natur, Liebe, Gesundheit, Technik, den fünf Sinnen und dem Leben.
    This digital installation of LEDARTIST Teddy Lo presents motion with digital programming and flickers of light through Light Emitting Diodes. The square perimeter will project passive virtual images that the viewer can control and see with his/her eyes or motion of the head. The artwork is a study of how digital information can be delivered to our human visual system through this reverse technique even within a limited projection area. The images will be vector and raster images representing Nature, Love, Health, Technology, Five senses and LIFE.

  • „Mehr Licht.“„More Light.“


    Zum zehnten Mal jährt sich das japanische Filmfestival „Nippon Connection“. Wir zelebrieren unser Jubiläum mit einer großen Lichtinstallation. Auf dem Campus der Goethe-Universität machen wir zur Luminale: „Mehr Licht.“. The Japanese film festival Nippon Connection is ten years old. We are celebrating our anniversary with a large light installation. On the Goethe University campus we will make ‘More Light’ for Luminale.

  • „LICHTUNG“ // Rolltreppe„LICHTUNG“ // Escalator

    091215_Luminale_end_praese_4
    Die Installation wird durch ein Gerüst, welches an den vier Eckpunkten der oberen Rolltreppen aufgestellt wird, ermöglicht. Hiermit besteht die Möglichkeit die Treppen auszuleuchten, abzudunkeln und zu bespielen. Durch sogenanntes Motion-Tracking werden die Bewegungen der Menschen, die sich auf der Rolltreppe befinden, aufgegriffen und in den Projektionen wiedergegeben. Somit stellt sich ein interaktiver Bezug zwischen Betrachter und Installation her.
    091215_Luminale_end_praese_4The installation is made possible enabled by a frame which is fixed on the four corners of the upper escalator. This affords the possibility of lighting, darkening and playing on the stairscase. By so/called motion tracking the movements by the people on the escalator are taken up and shown in the projection. This creates an interactive relationship between the observer and the installation.

  • Himmelansteigende TreppenStairway to Heaven

    Kopie von TreppenturmBettina von Arnim, geb. Brentano war oft zu Besuch in Offenbach bei ihrer Großmutter Sophie de la Roche. Bettines Zwiesprache mit den Sternen und ihre Visionen im Briefwechsel mit Karoline von Günderode werden in einer Installation und einer Ausstellung als Himmelansteigende Treppen von der Künstlerin Barbara Beisinghoff visualisiert.Kopie von TreppenturmBettina von Arnim, nee Brentano often visited her grandmother Sophie de la Roche in Offenbach. Bettina’s dialogue with the stars and her visions in her correspondence with Karoline von Günderode are visualised as a stairway to heaven in an installation and exhibition by artist Barbara Beisinghoff.