Thomas Schielke gibt einen Überblick zum Thema LED-Licht für den Schreibtisch. Die Bilder erzählen die rasant verlaufende Geschichte dieser Innovation. Diese Unternehmen haben angemessene Designlösungen für die neue Lichtquelle entwickelt: Alain Berteau Designworks, Alberto Basaglia, Natalia Rota Nodari, Alberto Lievore, Jeanette Altherr und Manel Molina , Alberto Meda, Paolo Rizzatto, Aldabra, Amanda Levete, Philips, amerlux, Ansorg, Antonio Citterio, Toan Nguyen, Axel Schmid, Balmuda, Ben Wirth, Benjamin Hubert, Brian Sironi, Caimi Lab, Carlotta de Bevilacqua, Catellani & Smith, Ceneda Menegon Romano, Claesson Koivisto Rune, Concord, Couvreur & Devos, Delugan Meissl, Denis Santachiara, Emiliana Martinelli, EOOS, ERCO, F.A. Porsche Design, Finelite, Foster + Partners, Frank Oehring, FSIGN, Henk Kosche, Herman Miller, Tom Newhouse, Hong-kue Lee, Humanscale, Ikea, Ilaria Marelli, Ingo Maurer, Stefan Geisbauer, Javier Mariscal, Jonas Forsman, Journee, K.B. Form, Kai Byok, Karim Rashid, Kenneth Grange, Koncept, Lighting Services, Linea Light, Lutz Pankow, Luxo, Michel Boucquillon, Michele De Lucchi, Mikko Kèrkkèinen, Moltoluce, MP Lighting, Naoto Fukasawa, Nathalie Dewez, Neil Poulton, Nimbus, Omri Barzeev, Ora-Ito, Osram, Pablo Pardo, Ralph Reddig, Rolf Lechtenberg, Patrizio Orlandi, Peter Stathis, Michael McCoy, Philippe Starck, Philips, Porsche Design Studio, QisDesign, Regent, Richard Sapper, Ron Arad, Ross Lovegrove, Ryann Aoukar, RZB, Selux, Stephan Copeland, Studio ABD, Studios Piano Design, Tobias Grau, Todd Bracher, TR»KK16, WAC Lighting, Yaacov Kaufman, Yukio Hashimoto, Yves BeharThomas Schielke produced a new video timeline that covers a fascinating selection of the first LED luminaries for interior lighting. The first decade with white LED light reveals how designers have implemented new technology in existing housing, added LED as part of a product group or created a unique design specifically for LED. The focus on task lights and spotlights vividly shows the dialogue between form and technology. These are the designers: Alain Berteau Designworks, Alberto Basaglia, Natalia Rota Nodari, Alberto Lievore, Jeanette Altherr und Manel Molina , Alberto Meda, Paolo Rizzatto, Aldabra, Amanda Levete, Philips, amerlux, Ansorg, Antonio Citterio, Toan Nguyen, Axel Schmid, Balmuda, Ben Wirth, Benjamin Hubert, Brian Sironi, Caimi Lab, Carlotta de Bevilacqua, Catellani & Smith, Ceneda Menegon Romano, Claesson Koivisto Rune, Concord, Couvreur & Devos, Delugan Meissl, Denis Santachiara, Emiliana Martinelli, EOOS, ERCO, F.A. Porsche Design, Finelite, Foster + Partners, Frank Oehring, FSIGN, Henk Kosche, Herman Miller, Tom Newhouse, Hong-kue Lee, Humanscale, Ikea, Ilaria Marelli, Ingo Maurer, Stefan Geisbauer, Javier Mariscal, Jonas Forsman, Journee, K.B. Form, Kai Byok, Karim Rashid, Kenneth Grange, Koncept, Lighting Services, Linea Light, Lutz Pankow, Luxo, Michel Boucquillon, Michele De Lucchi, Mikko Kèrkkèinen, Moltoluce, MP Lighting, Naoto Fukasawa, Nathalie Dewez, Neil Poulton, Nimbus, Omri Barzeev, Ora-Ito, Osram, Pablo Pardo, Ralph Reddig, Rolf Lechtenberg, Patrizio Orlandi, Peter Stathis, Michael McCoy, Philippe Starck, Philips, Porsche Design Studio, QisDesign, Regent, Richard Sapper, Ron Arad, Ross Lovegrove, Ryann Aoukar, RZB, Selux, Stephan Copeland, Studio ABD, Studios Piano Design, Tobias Grau, Todd Bracher, TR»KK16, WAC Lighting, Yaacov Kaufman, Yukio Hashimoto, Yves Behar
Schlagwort: Ingo Maurer
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Gerd Pfarré: „Licht ist Musik für die Augen“Gerd Pfarré: „Lighting is Music to the Eye“
Gerd Pfarrè ist unabhängiger Lichtdesigner und realisiert viele internationale Projekte. Für die erste Luminale in Frankfurt entwickelte er das vollkommen neuartige Event-Format „Celebration of Light“ für die internationale Licht-Community. Legendär war die „Celebration of Light“ während der Luminale 2004 mit Ingo Maurer und seinem Team auf dem Gelände der Goethe-Universität, die Pfarré in Zusammenarbeit mit dem IALD organisiert hatte. Jetzt sprach Luminapolis mit Gerd Pfarré über die bevorstehende Ausstellung seiner Projekte in München.Luminapolis: Gerd Pfarré, you are founder of pfarré lighting design. These days you will open an exhibition in Munich, presenting selected projects of the last ten years. The title of this retrospective is „lighting is music to the eye“. What does it mean?
Gerd Pfarré: Years ago, this phrase was the spontaneous reaction of a drummer, who asked me about my profession. I described him what we do, and he replied „ah, so you are making music for the eyes !“ The title leaves room for interpretation. It makes sense without the need for a perfect explanation or definition. This is what I like about it. To me, „lighting is music“ has more to do with feeling, quality, harmony, and composition rather than with taste or opinion. A good lighting project can have a great impact to us; surrounded by the right light, we are feeling well. Dolby surround lighting design, if you want. In fact, one can regard a lighting scheme as an orchestration, don’t you think ? And sometimes, we cannot listen to what we see…
Luminapolis: What are your personal experiences with light? How did you come in contact with professional lighting?
Gerd Pfarré: In the mid 70ties, in the basement of my parent’s house, I illuminated my silver drumkit and made photos of it. In the photos, the light sources were hidden. I really liked these images with a kind of stage-like sparkle, drama, and the play of light and shadow. I even prepared a dark background, for a better contrast. I was 16 years old. At this time, my interest in light and lighting began. In one of my early interior projects, 1982 or so, I missed the right light. I designed a rather simple luminaire for a bathroom, and it was manufactured, in brass, nickel-coated, with 2 Linestra bulbs (those energy efficient bulbs with a filament, you remember ?). This was my first professional experience. Many others
followed during my time with Ingo Maurer. In his „laboratory“ I got in touch with product design, but after a couple of years and „learning by burning“, I prefered working on lighting projects. I got hooked with the project planning, and I still have a lot of fun doing it.
Luminapolis: What is the most important project you realized in the last ten years?
Gerd Pfarré: No doubt, the „Palace of International Forums“ in Tashkent, Uzbekistan. A once-in-a-lifetime project. A good budget, almost no time for discussions. All designs and decisions were made in a rush; in some cases, things were built or already on site before the plan was printed out. The client was happy, and we did a great job. The chemistry in the entire design team could not have been better; it was an extraordinary experience.
Luminapolis: What do you think are the challenges for professional lighting designers in the near future?
Gerd Pfarré: Create outstanding, wonderful projects, well balanced with the architecture, the city- or landscape. As more good lighting projects we realize, as better it will be for all of us; for the quality of light, our quality of life, and for the quality of our profession. Practising as an independent lighting designer is not always easy: budget restraints, compromises, etc. etc., but creating high quality will always increase the awareness of our clients and the public at-large – because high quality projects win design awards and are published widely. To me, one of the challenges for the future lies in raising the bar of lighting quality by using highly efficient and sustainable technologies.
Luminapolis: What is your next project?
Gerd Pfarré: We are involved in an interesting study for the public lighting of an urban quarter with 600 apartments, a school, shops, cafés etc., in France. Among other projects, a new restaurant in Frankfurt will be opened soon. Along with the lighting design, we created a very cool custom-designed lighting system which is currently being manufactured. In November, I am having interesting appointments in the Middle East region: we will keep you up to date!
pfarré lighting designSonnentaustrasse 12
D-80995 München
Germany
t +49.(0)89. 540 41 43-0
f +49.(0)89. 540 41 43-43
info@lichtplanung.com
www.lichtplanung.comGerd Pfarré is an independent lighting designer who is working in the whole world. For the first Luminale in Frankfurt he invented the format „Celebration of Light“, a new event-format for the international lighting community. One of the most impressive events was the „Celebration of Light“ during Luminale 2004 with Ingo Maurer and his team. Pfarré has organized it in cooperation with IALD. Luminapolis spoke with Gerd Pfarré about his exhibition in Munich.
Luminapolis: Gerd Pfarré, you are founder of pfarré lighting design. These days you will open an exhibition in Munich, presenting selected projects of the last ten years. The title of this retrospective is „lighting is music to the eye“. What does it mean?
Gerd Pfarré: Years ago, this phrase was the spontaneous reaction of a drummer, who asked me about my profession. I described him what we do, and he replied „ah, so you are making music for the eyes !“ The title leaves room for interpretation. It makes sense without the need for a perfect explanation or definition. This is what I like about it. To me, „lighting is music“ has more to do with feeling, quality, harmony, and composition rather than with taste or opinion. A good lighting project can have a great impact to us; surrounded by the right light, we are feeling well. Dolby surround lighting design, if you want. In fact, one can regard a lighting scheme as an orchestration, don’t you think ? And sometimes, we cannot listen to what we see…
Luminapolis: What are your personal experiences with light? How did you come in contact with professional lighting?
Gerd Pfarré: In the mid 70ties, in the basement of my parent’s house, I illuminated my silver drumkit and made photos of it. In the photos, the light sources were hidden. I really liked these images with a kind of stage-like sparkle, drama, and the play of light and shadow. I even prepared a dark background, for a better contrast. I was 16 years old. At this time, my interest in light and lighting began. In one of my early interior projects, 1982 or so, I missed the right light. I designed a rather simple luminaire for a bathroom, and it was manufactured, in brass, nickel-coated, with 2 Linestra bulbs (those energy efficient bulbs with a filament, you remember ?). This was my first professional experience. Many others followed during my time with Ingo Maurer. In his „laboratory“ I got in touch with product design, but after a couple of years and „learning by burning“, I prefered working on lighting projects. I got hooked with the project planning, and I still have a lot of fun doing it.
Luminapolis: What is the most important project you realized in the last ten years?
Gerd Pfarré: No doubt, the „Palace of International Forums“ in Tashkent, Uzbekistan. A once-in-a-lifetime project. A good budget, almost no time for discussions. All designs and decisions were made in a rush; in some cases, things were built or already on site before the plan was printed out. The client was happy, and we did a great job. The chemistry in the entire design team could not have been better; it was an extraordinary experience.
Luminapolis: What do you think are the challenges for professional lighting designers in the near future?
Gerd Pfarré: Create outstanding, wonderful projects, well balanced with the architecture, the city- or landscape. As more good lighting projects we realize, as better it will be for all of us; for the quality of light, our quality of life, and for the quality of our profession. Practising as an independent lighting designer is not always easy: budget restraints, compromises, etc. etc., but creating high quality will always increase the awareness of our clients and the public at-large – because high quality projects win design awards and are published widely. To me, one of the challenges for the future lies in raising the bar of lighting quality by using highly efficient and sustainable technologies.
Luminapolis: What is your next project?
Gerd Pfarré: We are involved in an interesting study for the public lighting of an urban quarter with 600 apartments, a school, shops, cafés etc., in France. Among other projects, a new restaurant in Frankfurt will be opened soon. Along with the lighting design, we created a very cool custom-designed lighting system which is currently being manufactured. In November, I am having interesting appointments in the Middle East region: we will keep you up to date!
Information about the exhibition
pfarré lighting design
Sonnentaustrasse 12
D-80995 München
Germany
t +49.(0)89. 540 41 43-0
f +49.(0)89. 540 41 43-43
info@lichtplanung.com
www.lichtplanung.com -
Claus Sendlinger: Über Licht im HotelClaus Sendlinger: On Lighting in Hotels
Luminapolis: Claus Sendlinger, you are founder and CEO of Design Hotels and specialist in integrated concepts of hospitality. The hotels have a leading position for the evolution of design. Hotels are something like „Lighthouses of modern living“. Are they also „Lighthouses“ for lighting design?
Claus Sendlinger: Lighting is an integral part of a holistic concept for design hotels. Some hotels are definitely pioneers for lighting design and we’re continuing to see lots of innovation in this area.
Luminapolis: Do you know a hotel using light or lighting design as a theme?
Claus Sendlinger: The Nordic Light Hotel in Stockholm, the Kruisherenhotel in Maastricht and the Lanchid 19 in Budapest are examples of hotels with great lighting design. An important factor in Swedish life is the quality of local light, or the lack of it. Interior Designer Lars Pihl therefore incorporated this changing atmosphere into the Nordic Ligh Hotel. The light installations inside the Nordic Light Hotel fluctuate with the time of the day, the season or the guest’s mood. Another great lighting design project is at the Kruisherenhotel in Maastricht, which was formerly a monastery. Ingo Maurer was responsible for the lighting design and developed, among other elements, the designs for the entrance “tunnel,” the central lighting system over the entire axis of the church, the hall lighting and the outside lighting. Szövetség ’39 and Nextlab are the art designers of the moveable accordion-like glass façade of Lánchíd 19 hotel, further animated by the changing colours of an innovative lighting design concept. These two groups of young professionals, working on experimental developments, set up a workgroup of engineers, producers and co-artists for this project. The result is a dynamic facade, which lives together with its surroundings – a 21st century mural.
Luminapolis: What are the main mistake lighting designers can do in hotels?
Claus Sendlinger: The light concept should be adapted to the different areas of the hotel and thus cater to different moods. The biggest mistake a lighting designer can do is to create a light environment that does not fit to the concept of the hotel.
Luminapolis: Do think that Lighting is an important part for high-end hotel concepts in the future?
Claus Sendlinger: Yes, definitely. Light plays a crucial role in the hotel design environment. It can create a whole different experience, not just by visually enhancing certain design elements, but also in creating the right mood and atmosphere.Book-Tip: Design Hotels
Design Hotel Movies: here>
Luminapolis: Claus Sendlinger, you are founder and CEO of Design Hotels and specialist in integrated concepts of hospitality. The hotels have a leading position for the evolution of design. Hotels are something like „Lighthouses of modern living“. Are they also „Lighthouses“ for lighting design?
Claus Sendlinger: Lighting is an integral part of a holistic concept for design hotels. Some hotels are definitely pioneers for lighting design and we’re continuing to see lots of innovation in this area.
Luminapolis: Do you know a hotel using light or lighting design as a theme?
Claus Sendlinger: The Nordic Light Hotel in Stockholm, the Kruisherenhotel in Maastricht and the Lanchid 19 in Budapest are examples of hotels with great lighting design. An important factor in Swedish life is the quality of local light, or the lack of it. Interior Designer Lars Pihl therefore incorporated this changing atmosphere into the Nordic Ligh Hotel. The light installations inside the Nordic Light Hotel fluctuate with the time of the day, the season or the guest’s mood. Another great lighting design project is at the Kruisherenhotel in Maastricht, which was formerly a monastery. Ingo Maurer was responsible for the lighting design and developed, among other elements, the designs for the entrance “tunnel,” the central lighting system over the entire axis of the church, the hall lighting and the outside lighting. Szövetség ’39 and Nextlab are the art designers of the moveable accordion-like glass façade of Lánchíd 19 hotel, further animated by the changing colours of an innovative lighting design concept. These two groups of young professionals, working on experimental developments, set up a workgroup of engineers, producers and co-artists for this project. The result is a dynamic facade, which lives together with its surroundings – a 21st century mural.
Luminapolis: What are the main mistake lighting designers can do in hotels?
Claus Sendlinger: The light concept should be adapted to the different areas of the hotel and thus cater to different moods. The biggest mistake a lighting designer can do is to create a light environment that does not fit to the concept of the hotel.
Luminapolis: Do think that Lighting is an important part for high-end hotel concepts in the future?
Claus Sendlinger: Yes, definitely. Light plays a crucial role in the hotel design environment. It can create a whole different experience, not just by visually enhancing certain design elements, but also in creating the right mood and atmosphere.Book-Tip: Design Hotels
Design Hotel Movies: here>
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Swarovski.tv interviews Rogier van der Heide, Arik Levy, Hussein Chalayan, Vincent van Duysen, Tokujin Yoshioka, Ingo MaurerSwarovski.tv interviews Rogier van der Heide, Arik Levy, Hassan Chalayan, Vincent van Duysen, Tokujin Yoshioka, Ingo Maurer
Glamour & Celebrities: Swarovski-tv zeigt die Welt der Oscar-Verleihungen und Filmpremieren, der Catwalks, Parties and Fashion Shows. Architecture, Art & Design gehören zu den glitzernden Kristallwelten von Swarovski. Interviews mit dem neuen Philips-Chef Designer Rogier van der Heide, mit Arik Levy, der in Mailand den Swaroski Showroom bespielte, mit Tokujin Yoshioka, der zur Zeit im Mori Art Museum Tokyo ausstellt oder mit Ingo Maurer, dem inzwischen bekanntesten Lichtdesigner der Welt, finden sich auf der Website. Mehr>Glamour & Celebrities: Swarovski-tv shows the world of the Oscar Awards and film premières, the catwalks, parties and fashion shows. Architecture, art & design are part of the glittering crystal worlds of Swarovski. Interviews with the new Philips head of design Rogier der Heide, with Arik Levy who created the Swarovski Showroom in Milan, with Tokujin Yoshioka, who present his installations in the Mori Art Museum of Tokyo at the moment or with Ingo Maurer, the worlds best known lighting designer, are on the long video roll. More> -
Paola Antonelli eröffnet IALD Enlighten Americas 2010Paola Antonelli: Keynotespeaker at IALD Enlighten Americas 2010
Paola Antonelli gehört zu den führenden Design-Experten der Welt und im Rating der Zeitschrift Art Review wird sie zu den 100 wichtigsten Leuten der Kunstwelt gezählt. Sie ist die Kuratorin für Design im Museum of Modern Art, New York (MOMA). Die Design-Sammlung des MOMA ist einer der wenigen Institutionen, die Lichtobjekte sammelt. Dort finden sich Werke u.a. von Paul Cocksedge, Ingo Maurer, Tord Bonntje, Tadao Ando oder Paul Chan. Im Oktober wird Antonelli die IALD Konfernenz Enlighten Americas eröffnen. Mehr>Paola Antonelli is one of the world’s leading design experts and was recently rated as one of the top one hundred most powerful people in the world of art by Art Review. She is curator of the Museum of Modern Art, New York (MOMA) and is currently working on serveral shows on contemporary design. MOMA is one of the rare places in the world where lighting design is part of the collection: At the MOMA you find design pieces of Paul Cocksedge, Ingo Maurer, Tord Bonntje, Tadao Ando, Paul Chan and many others. Now Ms. Antonelli will open the IALD conference Enlighten Americas in October. More> -
Licht Kalender Juli 2010Lighting Calendar July 2010
Wenn Sie weitere Termine melden wollen, bitte ein Mail an die Luminapolis-Redaktion
27.07. – 28.07. Stuttgart: Theater Stuttgart, reinventing nijinski
22.07. Berlin: Upgrade! Berlin presents: Media Facades Festival 2010
30.7. – 01.08. Hamburg: Blue Port
27.07 – 29.08. Sao Paulo: File 2010 Prix Lux
27.07. – 5.09. Bozen: Antonella Cattani Contemporar Art, Carlo Bernardini
24.07. – 7.11. Tokio: Mori Art Museum, Sensing Nature
08.07. Frankfurt: Artemide: Lighthouse Competition
14.07. London: ILE conference, From Zero to Hero
– 17.07. Köln: Max Sudhues
01.07. – 12.09. Frankfurt: Peter Kogler
11.07. – 19.09. / Krefeld: Museum Haus Lange: Julius Popp
22.07. – 24.07. Bologna: Viabizzuno international lighting conference
30.07-31.07 Berching: Berchinale
28.07. – 30.07. Lüdenscheid: Erco Licht-Workshop für Studenten
– 15.11. Langmatt: Museum Langmatt, Pipilotti Rist: Sommergäste
Mailand: Pietro Pirelli, Arpa di Luce
– 04.09. Tokio: Senseware
– 04.09. Boisbuchet: Summer Workshops/Vitra with Moritz Waldemeyer, Paul Cocksedge and others
– 21.08. Santa Monica: Museum of Art: Arik Levy
– 31.10. Shanghai: Expo 2010
– 09.08. Berlin: Martin-Gropius-Bau / Olafur Eliasson
– 22.08. Karlsruhe: ZKM / Robert Wilson
– 26.09. Wolfsburg: James Turrell – The Wolfsburg Project
Philips Lighting Academy Seminar
Johannesburg: Hartung & Trenz
– 30.08. Berlin: Bauhaus-Archiv: Ingo Maurer
Melbourne: FedSquare: Rafael Lozano-Hemmer
– 09.08. Paris: Centre Pompidou / Dreamlands
-17.09. Berlin: Galerie Caprice Horn/ James Clar
Aix-en-Provence: Fondation Vasarely / LAb[au]If you want announce a date, please mail to the editors of Luminapolis
30.7. – 01.08. Hamburg: Blue Port
27.07 – 29.08. Sao Paulo: File 2010 Prix Lux
27.07. – 5.09. Bozen: Antonella Cattani Contemporar Art, Carlo Bernardini
24.07. – 7.11. Tokyo: Mori Art Museum, Sensing Nature
08.07. Frankfurt: Artemide, Lighthouse Competition
14.07. London: ILE conference: From Zero to Hero
– 17.07. Cologne: Max Sudhues
01.07. – 12.09. Frankfurt: Peter Kogler
11.07. – 19.09. / Krefeld: Museum Haus Lange: Julius Popp
22.07. – 24.07. Bologna: Viabizzuno international lighting conference
– 15.11. Langmatt: Museum Langmatt, Pipilotti Rist: Sommergäste
Milano: Pietro Pirelli, Arpa di Luce
Tokyo: Senseware
Boisbuchet: Summer Workshops/Vitra with Moritz Waldemeyer, Paul Cocksedge and others
Santa Monica: Museum of Art: Arik Levy
Shanghai: Expo 2010
– 09.08. Berlin: Martin-Gropius-Bau / Olafur Eliasson
Karlsruhe: ZKM / Robert Wilson
Wolfsburg: James Turrell – The Wolfsburg Project
Philips Lighting Academy Seminar
Johannesburg: Hartung & Trenz
Berlin: Bauhaus-Archiv: Ingo Maurer
Melbourne: FedSquare: Rafael Lozano-Hemmer
Paris: Centre Pompidou / Dreamlands
Berlin: Galerie Caprice Horn/ James Clar
Aix-en-Provence: Fondation Vasarely / LAb[au]
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London: OLED Lighting Design Summit
Am 21. / 22. Juni treffen sich Hersteller und Designer in London auf dem OLED Lighting Design Summit, um die Chancen und Möglichkeiten der OLED Technologie zu diskutieren. Eine wachsende Zahl von Designern integriert OLED in ihre Entwurfspraxis, während die Hersteller die Leuchtkraft und Effektivität dieser Technologie auch im Hinblick auf die Kosten weiter entwickeln. Hier finden Sie die Liste der Teilnehmer des OLED Lighting Design Summit.
• Philips, OSRAM, Novaled, GE, LEDON, Thorn stellen ihre neuesten Entwicklungen vor und Designer präsentieren ihre OLED-Anwendungen: Ingo Maurer, Speirs & Major, Studio Jason Bruges, BDP.
• Internationale Lichtdesigner stellen ihre OLED-Projekte vor.
• Interaktive OLED Werkstatt von Novaled, die jedem Teilnehmer erlauben, OLED aus eigener Anschauung kennen zu lernen.
• Mehr als 100 Entscheidungsträger auf einem Top-Level, die sich auf das Thema OLED konzentrieren.
Sie können die ausführliche Tagesordnung der Veranstaltuing hier sehen: Mehr>
On June 21-22, lighting manufacturers and designers are converging in London at the OLED Lighting Design Summit to discuss the opportunities and possibilities presented by OLED Lighting technology. With more and more designers incorporating OLED into their work, manufacturers constantly driving brightness and efficiency up and costs down, there’s one thing for sure.
• Philips, OSRAM, Novaled, GE, LEDON, Thorn and more leading developers discussing the very latest developments and application focus of their OLEDs : Ingo Maurer, Speirs & Major, Jason Bruges Studio, BDP Lighting, and more internationally recognised designers talking about their work with OLED
• Hands-on interactive OLED workshop from event co-organiser Novaled, allowing every delegate to touch, operate and evaluate OLED technology
•Unrivalled, OLED specific, top-level executive networking, with over 100 leading decision makers all focused on OLED
You can see a detailed speaker line-up and agenda on the event brochure here> -
DMY International Design FestivalDMY International Design Festival
Die zentrale Ausstellung findet in diesem Jahr in den Hangars des ehemaligen Flughafens Berlin-Tempelhof statt. Dort trafen wir Christoph Katzler (For Use) bei der Vorbereitung der Tape-Installation (siehe Photo), die er auch gern bei der nächsten Luminale zeigen würde. Jan Edler nimmt an der Pecha Kucha Night teil. Uns interessiert das Design Symposium „Are nerds the new designers“. Es geht dort um Interaktivität. Interessant auch der E-Textile Workspace. Zu den Satelliten-Ausstellungen im Stadtgebiet: Ingo Maurer im Bauhaus-Archiv. Berliner Nächte sind lang. Dafür sorgt VisualBerlin mit einem eigenen Screening-Festival. Zum DMY-Programm hier mehr>The central exhibition this year takes place in the hangars of the former Airport Berlin-Tempelhof. There we met Christoph Katzler ( For Use ) during the preparation of his strech tape installation (photo) which he would like to present with the next Luminale. Jan Edler is speaker of Pecha Kucha Night. The design symposium „Are nerds the new designers “ interests us. Interactivity is a focus of it. Interesting also the E-Textile Workspace. To the satellite exhibits in the city: Ingo Maurer in Bauhaus Archive. And Berlin’s Nights are long with the VisualBerlin screenings. To the DMY program here more> -
Licht Kalender Juni 2010Lighting Calendar June 2010
Wenn Sie weitere Termine melden wollen, bitte ein Mail an die Luminapolis-Redaktion
Barcelona: Sonar Festival
Köln: Lichtfaktor auf der C’n’B Convention der c/o pop
Poggibonsi: Workshop/ Design della Luce nello spettacolo
Oberhausen: Artronis Visualisierung / Screening, Wasserturm HBF Oberhausen
Boisbuchet: Summer Workshops/Vitra with Moritz Waldemeyer, Paul Cocksedge and others
München: BMW Museum / Paul Cocksedge: Dream.Discover.Design
Basel: Art Basel / Paul Cocksedge: High-Tech, Art, Design
Lyon: Lumiville
Lyon: LUCI / Light Festivals Pavilion
Ljubljana: Lighting Guerilla The City!
Shenzhen: Dieter Jung / Flying Colors – Holographic art
Weltweit: Laserfest
Santa Monica: Museum of Art: Arik Levy
Shanghai: Expo 2010
London: OLED Lighting Design Summit
Berlin: Martin-Gropius-Bau / Olafur Eliasson
Karlsruhe: ZKM / Robert Wilson
Karlsruhe: ZKM / Peter Weibel / rosalie: Chroma_Lux
Wolfsburg: James Turrell – The Wolfsburg Project
Philips Lighting Academy Seminar
Mailand: Palazzo Reale: Fuoco
Berlin: 401 contemporary / Jakob Mattner, Laura Buckley
Johannisburg: Hartung & Trenz
Mailand: Triennale: Spage Age Lights
Berlin: Screendancing
Arnsberg: lichtforumnrw / Leuchte des Jahres 2010
Frankfurt am Main: saasfee illuminated questions
Dortmund: sanktreinholdi / Angela Bulloch, Andreas Oldörp, Jun Yang
Berlin: Semperlux / Tageslicht
Berlin: Bauhaus-Archiv: Ingo Maurer
Melbourne: FedSquare: Rafael Lozano-Hemmer
Neapel: Quale illuminazione per i centri storici? / Conference
Tuscon: International Dark Sky Association
Paris: Centre Pompidou / Dreamlands
Berlin: Galerie Caprice Horn/ James Clar
Aix-en-Provence: Fondation Vasarely / LAb[au]If you want announce a date, please mail to the editors of LuminapolisBarcelona: Sonar Festival
Cologne: Lichtfaktor at the C’n’B Convention of c/o pop
Poggibonsi: Workshop/ Design della Luce nello spettacolo
Oberhausen: Artronis Visualisierung / Screening, Water Tower Trainstation Oberhausen
Boisbuchet: Summer Workshops/Vitra with Moritz Waldemeyer, Paul Cocksedge and others
Munich: BMW Museum / Paul Cocksedge: Dream.Discover.Design
Basel: Art Basel / Paul Cocksedge: High-Tech, Art, Design
Lyon: Lumiville
Lyon: LUCI / Light Festivals Pavilion
Ljubljana: Lighting Guerilla The City!
Shenzhen: Dieter Jung / Flying Colors – Holographic art
Paris: Centre Pompidou / Laserfest
Santa Monica: Museum of Art: Arik Levy
Shanghai: Expo 2010
London: OLED Lighting Design Summit
Berlin: Martin-Gropius-Bau / Olafur Eliasson
Karlsruhe: ZKM / Robert Wilson
Karlsruhe: ZKM / Peter Weibel / rosalie: Chroma_Lux
Wolfsburg: James Turrell – The Wolfsburg Project
Philips Lighting Academy Seminar
Rome: Festa dell’Architettura
Milan: Palazzo Reale: Fuoco
Berlin: 401 contemporary / Jakob Mattner, Laura Buckley
Johannisburg: Hartung & Trenz
Milan: Triennale: Spage Age Lights
Berlin: Screendancing
Arnsberg: lichtforumnrw / Leuchte des Jahres 2010
Frankfurt/Main: saasfee illuminated questions
Dortmund: sanktreinholdi / Angela Bulloch, Andreas Oldörp, Jun Yang
Berlin: Semperlux / Daylight
Berlin: Bauhaus-Archiv: Ingo Maurer
Melbourne: FedSquare: Rafael Lozano-Hemmer
Neapel: Quale illuminazione per i centri storici? / Conference
Tuscon: International Dark Sky Association
Berlin: Galerie Caprice Horn/ James Clar
Aix-en-Provence: Fondation Vasarely /
