Die International Lighting Design Association (IALD) bittet um Spenden für die Opfer der Katastrophe in Japan. Das Rote Kreuz hat entsprechende entsprechende Möglichkeiten eingerichtet, die Hilfsmaßnahmen zu unterstützen. Mehr>The International Lighting Design Association (IALD) encourages support of desaster response efforts in Japan. The Red Cross Red Crescent has established a solidarity fund to provide people with an opportunity to show their support for individuals and communities affected by the devastating events in Japan. More>
Schlagwort: IALD
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IALD LightMAP – Die Welt der BeleuchtungIALD LightMAP – The World of Lighting
Entwickelt von der International Association of Lighting Designers (IALD) ist LightMap ein Google-basiertes Interface, das den Usern die Welt des hochwertigen Lichtdesigns eröffnet. Reisen Sie rund um die Welt zu eindrucksvollen Projekten. Mehr>
Created by the International Association of Lighting Designers (IALD), IALD LightMap is a Google Maps interface which allows users to travel the world in search of examples of quality architectural lighting design. More>
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Leni Schwendinger über ihre Arbeit als LichtdesignerinLeni Schwendinger About Her Projects
Leni Schwendinger ist Lichtdesignerin in New York. Ihr Büro Light Projects Ltd. gestaltet Licht-Situationen für Gebäudekomplexe und öffentliche Plätze rund um den Globus. Ziel ist es dabei, jeweils auf dem neuesten Stand der Technik, die Beziehung zu intensivieren und zu fördern, die Menschen zu Gebäuden, Gegenden und öffentlichen Einrichtungen entwickeln. Seit mehr als einem Jahrzehnt arbeitet Leni Schwendinger projektbezogen mit einem multidisziplinären Team zusammen, in dem Architekten, Ingenieure, Graphik-Designer an der möglichst perfekten Umsetzung ihrer Ideen mitwirken.
Luminapolis: Leni, what was the first contact with lighting design in your biography?
Leni Schwendinger: I started professional lighting design for theatre, television and film in San Francisco in the late 1970’s and then moving to New York City, began architectural lighting design in the mid 1980’s.
Luminapolis: What is your most important project you have realized until today?
Leni Schwendinger: Dreaming in Color is a seminal installation because of the artistic and technical accomplishment. This project, at the McCaw Hall (Seattle, USA), immerses viewers in “melodies for the eyes”. Triple Bridge Gateway, at the Bus Terminal in Manhattan is also a project of challenges and visual firsts: I-beam bridges are transformed into sculpture with paint color and white light.
Luminapolis: What do you think is the mission of your profession in the next ten years?
Leni Schwendiger: Those of us in the public lighting discipline strive to make cities more livable and friendly after dark.
Luminapolis: What is your next project you are working on?
Leni Schwendinger: Light Projects is working on a city district in Doha, a sculpture in San Diego and a park in Shanghai, among others.
More about Light Projects Ltd.Leni Schwendinger is lighting designer in New York City. Her company Light Projects Ltd. creates lighting environments for architectural and public spaces all over the world. These works energize architecture, landscape and infrastructure with the ultimate objective of connecting people to each other and to their surroundings. For over a decade, the Light Projects studio has been a magnet for professional multi-disciplinary collaborations – with project-specific design teams staffed by architects, engineers, and graphic designers committed to Leni Schwendinger’s vision.
Luminapolis: Leni, what was the first contact with lighting design in your biography?
Leni Schwendinger: I started professional lighting design for theatre, television and film in San Francisco in the late 1970’s and then moving to New York City, began architectural lighting design in the mid 1980’s.
Luminapolis: What is your most important project you have realized until today?
Leni Schwendinger: Dreaming in Color is a seminal installation because of the artistic and technical accomplishment. This project, at the McCaw Hall (Seattle, USA), immerses viewers in “melodies for the eyes”. Triple Bridge Gateway, at the Bus Terminal in Manhattan is also a project of challenges and visual firsts: I-beam bridges are transformed into sculpture with paint color and white light.
Luminapolis: What do you think is the mission of your profession in the next ten years?
Leni Schwendiger: Those of us in the public lighting discipline strive to make cities more livable and friendly after dark.
Luminapolis: What is your next project you are working on?
Leni Schwendinger: Light Projects is working on a city district in Doha, a sculpture in San Diego and a park in Shanghai, among others.
More about Light Projects Ltd. -
Gerd Pfarré: „Licht ist Musik für die Augen“Gerd Pfarré: „Lighting is Music to the Eye“
Gerd Pfarrè ist unabhängiger Lichtdesigner und realisiert viele internationale Projekte. Für die erste Luminale in Frankfurt entwickelte er das vollkommen neuartige Event-Format „Celebration of Light“ für die internationale Licht-Community. Legendär war die „Celebration of Light“ während der Luminale 2004 mit Ingo Maurer und seinem Team auf dem Gelände der Goethe-Universität, die Pfarré in Zusammenarbeit mit dem IALD organisiert hatte. Jetzt sprach Luminapolis mit Gerd Pfarré über die bevorstehende Ausstellung seiner Projekte in München.
Luminapolis: Gerd Pfarré, you are founder of pfarré lighting design. These days you will open an exhibition in Munich, presenting selected projects of the last ten years. The title of this retrospective is „lighting is music to the eye“. What does it mean?
Gerd Pfarré: Years ago, this phrase was the spontaneous reaction of a drummer, who asked me about my profession. I described him what we do, and he replied „ah, so you are making music for the eyes !“ The title leaves room for interpretation. It makes sense without the need for a perfect explanation or definition. This is what I like about it. To me, „lighting is music“ has more to do with feeling, quality, harmony, and composition rather than with taste or opinion. A good lighting project can have a great impact to us; surrounded by the right light, we are feeling well. Dolby surround lighting design, if you want. In fact, one can regard a lighting scheme as an orchestration, don’t you think ? And sometimes, we cannot listen to what we see…
Luminapolis: What are your personal experiences with light? How did you come in contact with professional lighting?
Gerd Pfarré: In the mid 70ties, in the basement of my parent’s house, I illuminated my silver drumkit and made photos of it. In the photos, the light sources were hidden. I really liked these images with a kind of stage-like sparkle, drama, and the play of light and shadow. I even prepared a dark background, for a better contrast. I was 16 years old. At this time, my interest in light and lighting began. In one of my early interior projects, 1982 or so, I missed the right light. I designed a rather simple luminaire for a bathroom, and it was manufactured, in brass, nickel-coated, with 2 Linestra bulbs (those energy efficient bulbs with a filament, you remember ?). This was my first professional experience. Many others
followed during my time with Ingo Maurer. In his „laboratory“ I got in touch with product design, but after a couple of years and „learning by burning“, I prefered working on lighting projects. I got hooked with the project planning, and I still have a lot of fun doing it.
Luminapolis: What is the most important project you realized in the last ten years?
Gerd Pfarré: No doubt, the „Palace of International Forums“ in Tashkent, Uzbekistan. A once-in-a-lifetime project. A good budget, almost no time for discussions. All designs and decisions were made in a rush; in some cases, things were built or already on site before the plan was printed out. The client was happy, and we did a great job. The chemistry in the entire design team could not have been better; it was an extraordinary experience.
Luminapolis: What do you think are the challenges for professional lighting designers in the near future?
Gerd Pfarré: Create outstanding, wonderful projects, well balanced with the architecture, the city- or landscape. As more good lighting projects we realize, as better it will be for all of us; for the quality of light, our quality of life, and for the quality of our profession. Practising as an independent lighting designer is not always easy: budget restraints, compromises, etc. etc., but creating high quality will always increase the awareness of our clients and the public at-large – because high quality projects win design awards and are published widely. To me, one of the challenges for the future lies in raising the bar of lighting quality by using highly efficient and sustainable technologies.
Luminapolis: What is your next project?
Gerd Pfarré: We are involved in an interesting study for the public lighting of an urban quarter with 600 apartments, a school, shops, cafés etc., in France. Among other projects, a new restaurant in Frankfurt will be opened soon. Along with the lighting design, we created a very cool custom-designed lighting system which is currently being manufactured. In November, I am having interesting appointments in the Middle East region: we will keep you up to date!
pfarré lighting designSonnentaustrasse 12
D-80995 München
Germany
t +49.(0)89. 540 41 43-0
f +49.(0)89. 540 41 43-43
info@lichtplanung.com
www.lichtplanung.comGerd Pfarré is an independent lighting designer who is working in the whole world. For the first Luminale in Frankfurt he invented the format „Celebration of Light“, a new event-format for the international lighting community. One of the most impressive events was the „Celebration of Light“ during Luminale 2004 with Ingo Maurer and his team. Pfarré has organized it in cooperation with IALD. Luminapolis spoke with Gerd Pfarré about his exhibition in Munich.
Luminapolis: Gerd Pfarré, you are founder of pfarré lighting design. These days you will open an exhibition in Munich, presenting selected projects of the last ten years. The title of this retrospective is „lighting is music to the eye“. What does it mean?
Gerd Pfarré: Years ago, this phrase was the spontaneous reaction of a drummer, who asked me about my profession. I described him what we do, and he replied „ah, so you are making music for the eyes !“ The title leaves room for interpretation. It makes sense without the need for a perfect explanation or definition. This is what I like about it. To me, „lighting is music“ has more to do with feeling, quality, harmony, and composition rather than with taste or opinion. A good lighting project can have a great impact to us; surrounded by the right light, we are feeling well. Dolby surround lighting design, if you want. In fact, one can regard a lighting scheme as an orchestration, don’t you think ? And sometimes, we cannot listen to what we see…
Luminapolis: What are your personal experiences with light? How did you come in contact with professional lighting?
Gerd Pfarré: In the mid 70ties, in the basement of my parent’s house, I illuminated my silver drumkit and made photos of it. In the photos, the light sources were hidden. I really liked these images with a kind of stage-like sparkle, drama, and the play of light and shadow. I even prepared a dark background, for a better contrast. I was 16 years old. At this time, my interest in light and lighting began. In one of my early interior projects, 1982 or so, I missed the right light. I designed a rather simple luminaire for a bathroom, and it was manufactured, in brass, nickel-coated, with 2 Linestra bulbs (those energy efficient bulbs with a filament, you remember ?). This was my first professional experience. Many others followed during my time with Ingo Maurer. In his „laboratory“ I got in touch with product design, but after a couple of years and „learning by burning“, I prefered working on lighting projects. I got hooked with the project planning, and I still have a lot of fun doing it.
Luminapolis: What is the most important project you realized in the last ten years?
Gerd Pfarré: No doubt, the „Palace of International Forums“ in Tashkent, Uzbekistan. A once-in-a-lifetime project. A good budget, almost no time for discussions. All designs and decisions were made in a rush; in some cases, things were built or already on site before the plan was printed out. The client was happy, and we did a great job. The chemistry in the entire design team could not have been better; it was an extraordinary experience.
Luminapolis: What do you think are the challenges for professional lighting designers in the near future?
Gerd Pfarré: Create outstanding, wonderful projects, well balanced with the architecture, the city- or landscape. As more good lighting projects we realize, as better it will be for all of us; for the quality of light, our quality of life, and for the quality of our profession. Practising as an independent lighting designer is not always easy: budget restraints, compromises, etc. etc., but creating high quality will always increase the awareness of our clients and the public at-large – because high quality projects win design awards and are published widely. To me, one of the challenges for the future lies in raising the bar of lighting quality by using highly efficient and sustainable technologies.
Luminapolis: What is your next project?
Gerd Pfarré: We are involved in an interesting study for the public lighting of an urban quarter with 600 apartments, a school, shops, cafés etc., in France. Among other projects, a new restaurant in Frankfurt will be opened soon. Along with the lighting design, we created a very cool custom-designed lighting system which is currently being manufactured. In November, I am having interesting appointments in the Middle East region: we will keep you up to date!
Information about the exhibition
pfarré lighting design
Sonnentaustrasse 12
D-80995 München
Germany
t +49.(0)89. 540 41 43-0
f +49.(0)89. 540 41 43-43
info@lichtplanung.com
www.lichtplanung.com -
Paola Antonelli eröffnet IALD Enlighten Americas 2010Paola Antonelli: Keynotespeaker at IALD Enlighten Americas 2010
Paola Antonelli gehört zu den führenden Design-Experten der Welt und im Rating der Zeitschrift Art Review wird sie zu den 100 wichtigsten Leuten der Kunstwelt gezählt. Sie ist die Kuratorin für Design im Museum of Modern Art, New York (MOMA). Die Design-Sammlung des MOMA ist einer der wenigen Institutionen, die Lichtobjekte sammelt. Dort finden sich Werke u.a. von Paul Cocksedge, Ingo Maurer, Tord Bonntje, Tadao Ando oder Paul Chan. Im Oktober wird Antonelli die IALD Konfernenz Enlighten Americas eröffnen. Mehr>
Paola Antonelli is one of the world’s leading design experts and was recently rated as one of the top one hundred most powerful people in the world of art by Art Review. She is curator of the Museum of Modern Art, New York (MOMA) and is currently working on serveral shows on contemporary design. MOMA is one of the rare places in the world where lighting design is part of the collection: At the MOMA you find design pieces of Paul Cocksedge, Ingo Maurer, Tord Bonntje, Tadao Ando, Paul Chan and many others. Now Ms. Antonelli will open the IALD conference Enlighten Americas in October. More>
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IALD International Lighting Design Award 2010IALD International Lighting Design Award 2010
Überragender Gewinner auch wieder im Jahre 2010: Speirs & Major Associates erhielten die höchste Auszeichnung: den IALD Radiance Award for Excellence für die Außenbeleuchtung der Sheikh Zayed bin Sultan Al Nahyan Moschee in Abu Dhabi, Vereinigte Arabische Emirate. Luminapolis berichtete bereits über das Projekt. 23 ausgezeichnete Projekte aus 12 Ländern erhielten die begehrten Auszeichnungen des 27. International Lighting Design Awards, den die IALD alljährlich verleiht. Mehr>
Alle Preisträger hier>The highest point score winner across all categories, in addition to receiving an Award of Excellence for their project, receives The IALD Radiance Award for Excellence in Lighting Design. Speirs & Major Associates received this honor for the third straight year, this time accepted by Jonathan Speirs for his team’s external lighting of the Sheikh Zayed bin Sultan Al Nahyan Mosque in Abu Dhabi, UAE. Luminapolis has reported. Twenty-three winning projects representing projects from 12 countries comprise the winners of the 27th Annual International Association of Lighting Designers (IALD) International Lighting Design Awards Winners, recognized at a presentation held 13 May at the Renaissance Las Vegas Hotel in Las Vegas, Nevada USA. Of the 23 projects recognized, three entries earned Special Citations, 12 earned Awards of Merit and eight earned Awards of Excellence. More>
All winners here>
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International Lighting Design Awards 2010International Lighting Design Awards 2010
Am 13. Mai ist es soweit. Dann werden zum 27. Mal die International Lighting Design Awards in Las Vegas verliehen. Der IALD präsentiert die diesjährigen Gewinner im Rahmen des IALD Education Trust Benefit Dinners im Renaissance Las Vegas Hotel. Mehr>
The 13th of May is an important date for the international lighting designer community. For the 27th time the International Lighting Design Awards are given to the winners of 2010. The IALD presents the winners during the Education Trust Benefit Dinner in the Renaissance Las Vegas Hotel. More>
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IALD Lifetime Achievement Award: Derek Pillips
Der IALD Preis für das Lebenswerk, die höchste Ehrung, die die International Association of Lighting Designers zu vergeben hat, geht 2009 an Derek Pillips, FIALD und Gründer von DPA Lighting Consultants, die in Großbritannien zu den Pionieren der Architektur-Beleuchtung gehören. Der Preis wurde während der IALD Enlighten Americas 2009 in Sonoma County, Kalifornien, verliehen. Mehr>
The 2009 IALD Lifetime Achievement Award, the greatest honor bestowed by the IALD, was presented to Derek Phillips, FIALD, founder of DPA Lighting Consultants and first to practice architectural design in the United Kingdom (UK), at IALD Enlighten Americas 2009 in Sonoma County, CA USA. More>
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IALD-Stimmungsbarometer: fifty/fiftyIALD Business Owners report mixed Outlook for 2009
Chicago. Die International Association of Lighting Designers (IALD) hat kürzlich ihre Mitglieder nach ihren wirtschaftlichen Erwartungen für die Zukunft befragt. Das Ergebnis: Die Hälfte ist optimistisch, 7 Prozent sehr und 43 verhalten optimistisch gegenüber 31 Prozent leicht pessimistisch und 15 Prozent stark pessimistisch. Mehr als die Hälfte der Befragten rechnet mit einer Rezession von mehr als 12 Monaten. Mehr>
Chicago. The International Association of Lighting Designers (IALD) recently conducted an economic impact survey in an effort to determine how the current economic downturn is affecting their members and businesses. The following is a summary of the survey results: In spite of the current atmosphere, it is interesting to note that when asked about the coming year, half of all respondents were either strongly optimistic (7%) or slightly optimistic (43%), and a little less than half were either slightly pessimistic (31%) or strongly pessimistic (15%). More than half of all respondents believe this economic recession will last 12 or more months. More>