Luminapolis

Schlagwort: Gerd Pfarré

  • Gerd Pfarré: „Licht ist Musik für die Augen“Gerd Pfarré: „Lighting is Music to the Eye“

    Gerd Pfarrè ist unabhängiger Lichtdesigner und realisiert viele internationale Projekte. Für die erste Luminale in Frankfurt entwickelte er das vollkommen neuartige Event-Format „Celebration of Light“ für die internationale Licht-Community. Legendär war die „Celebration of Light“ während der Luminale 2004 mit Ingo Maurer und seinem Team auf dem Gelände der Goethe-Universität, die Pfarré in Zusammenarbeit mit dem IALD organisiert hatte. Jetzt sprach Luminapolis mit Gerd Pfarré über die bevorstehende Ausstellung seiner Projekte in München.

    Luminapolis: Gerd Pfarré, you are founder of pfarré lighting design. These days you will open an exhibition in Munich, presenting selected projects of the last ten years. The title of this retrospective is „lighting is music to the eye“. What does it mean?

    Gerd Pfarré: Years ago, this phrase was the spontaneous reaction of a drummer, who asked me about my profession. I described him what we do, and he replied „ah, so you are making music for the eyes !“ The title leaves room for interpretation. It makes sense without the need for a perfect explanation or definition. This is what I like about it. To me, „lighting is music“ has more to do with feeling, quality, harmony, and composition rather than with taste or opinion. A good lighting project can have a great impact to us; surrounded by the right light, we are feeling well. Dolby surround lighting design, if you want. In fact, one can regard a lighting scheme as an orchestration, don’t you think ? And sometimes, we cannot listen to what we see…

    Luminapolis: What are your personal experiences with light? How did you come in contact with professional lighting?

    Gerd Pfarré: In the mid 70ties, in the basement of my parent’s house, I illuminated my silver drumkit and made photos of it. In the photos, the light sources were hidden. I really liked these images with a kind of stage-like sparkle, drama, and the play of light and shadow. I even prepared a dark background, for a better contrast. I was 16 years old. At this time, my interest in light and lighting began. In one of my early interior projects, 1982 or so, I missed the right light. I designed a rather simple luminaire for a bathroom, and it was manufactured, in brass, nickel-coated, with 2 Linestra bulbs (those energy efficient bulbs with a filament, you remember ?). This was my first professional experience. Many others

    followed during my time with Ingo Maurer. In his „laboratory“ I got in touch with product design, but after a couple of years and „learning by burning“, I prefered working on lighting projects. I got hooked with the project planning, and I still have a lot of fun doing it.

    Luminapolis: What is the most important project you realized in the last ten years?

    Gerd Pfarré: No doubt, the „Palace of International Forums“ in Tashkent, Uzbekistan. A once-in-a-lifetime project. A good budget, almost no time for discussions. All designs and decisions were made in a rush; in some cases, things were built or already on site before the plan was printed out. The client was happy, and we did a great job. The chemistry in the entire design team could not have been better; it was an extraordinary experience.

    Luminapolis: What do you think are the challenges for professional lighting designers in the near future?

    Gerd Pfarré: Create outstanding, wonderful projects, well balanced with the architecture, the city- or landscape. As more good lighting projects we realize, as better it will be for all of us; for the quality of light, our quality of life, and for the quality of our profession. Practising as an independent lighting designer is not always easy: budget restraints, compromises, etc. etc., but creating high quality will always increase the awareness of our clients and the public at-large – because high quality projects win design awards and are published widely. To me, one of the challenges for the future lies in raising the bar of lighting quality by using highly efficient and sustainable technologies.

    Luminapolis: What is your next project?

    Gerd Pfarré: We are involved in an interesting study for the public lighting of an urban quarter with 600 apartments, a school, shops, cafés etc., in France. Among other projects, a new restaurant in Frankfurt will be opened soon. Along with the lighting design, we created a very cool custom-designed lighting system which is currently being manufactured. In November, I am having interesting appointments in the Middle East region: we will keep you up to date!

    Informationen zur Ausstellung

    pfarré lighting designSonnentaustrasse 12
    D-80995 München
    Germany
    t +49.(0)89. 540 41 43-0
    f +49.(0)89. 540 41 43-43
    info@lichtplanung.com
    www.lichtplanung.com

    Gerd Pfarré is an independent lighting designer who is working in the whole world. For the first Luminale in Frankfurt he invented the format „Celebration of Light“, a new event-format for the international lighting community. One of the most impressive events was the „Celebration of Light“ during Luminale 2004 with Ingo Maurer and his team. Pfarré has organized it in cooperation with IALD. Luminapolis spoke with Gerd Pfarré about his exhibition in Munich.

    Luminapolis
    : Gerd Pfarré, you are founder of pfarré lighting design. These days you will open an exhibition in Munich, presenting selected projects of the last ten years. The title of this retrospective is „lighting is music to the eye“. What does it mean?

    Gerd Pfarré
    : Years ago, this phrase was the spontaneous reaction of a drummer, who asked me about my profession. I described him what we do, and he replied „ah, so you are making music for the eyes !“ The title leaves room for interpretation. It makes sense without the need for a perfect explanation or definition. This is what I like about it. To me, „lighting is music“ has more to do with feeling, quality, harmony, and composition rather than with taste or opinion. A good lighting project can have a great impact to us; surrounded by the right light, we are feeling well. Dolby surround lighting design, if you want. In fact, one can regard a lighting scheme as an orchestration, don’t you think ? And sometimes, we cannot listen to what we see…

    Luminapolis
    : What are your personal experiences with light? How did you come in contact with professional lighting?

    Gerd Pfarré
    : In the mid 70ties, in the basement of my parent’s house, I illuminated my silver drumkit and made photos of it. In the photos, the light sources were hidden. I really liked these images with a kind of stage-like sparkle, drama, and the play of light and shadow. I even prepared a dark background, for a better contrast. I was 16 years old. At this time, my interest in light and lighting began. In one of my early interior projects, 1982 or so, I missed the right light. I designed a rather simple luminaire for a bathroom, and it was manufactured, in brass, nickel-coated, with 2 Linestra bulbs (those energy efficient bulbs with a filament, you remember ?). This was my first professional experience. Many others followed during my time with Ingo Maurer. In his „laboratory“ I got in touch with product design, but after a couple of years and „learning by burning“, I prefered working on lighting projects. I got hooked with the project planning, and I still have a lot of fun doing it.

    Luminapolis
    : What is the most important project you realized in the last ten years?

    Gerd Pfarré
    : No doubt, the „Palace of International Forums“ in Tashkent, Uzbekistan. A once-in-a-lifetime project. A good budget, almost no time for discussions. All designs and decisions were made in a rush; in some cases, things were built or already on site before the plan was printed out. The client was happy, and we did a great job. The chemistry in the entire design team could not have been better; it was an extraordinary experience.

    Luminapolis
    : What do you think are the challenges for professional lighting designers in the near future?

    Gerd Pfarré
    : Create outstanding, wonderful projects, well balanced with the architecture, the city- or landscape. As more good lighting projects we realize, as better it will be for all of us; for the quality of light, our quality of life, and for the quality of our profession. Practising as an independent lighting designer is not always easy: budget restraints, compromises, etc. etc., but creating high quality will always increase the awareness of our clients and the public at-large – because high quality projects win design awards and are published widely. To me, one of the challenges for the future lies in raising the bar of lighting quality by using highly efficient and sustainable technologies.

    Luminapolis
    : What is your next project?

    Gerd Pfarré
    : We are involved in an interesting study for the public lighting of an urban quarter with 600 apartments, a school, shops, cafés etc., in France. Among other projects, a new restaurant in Frankfurt will be opened soon. Along with the lighting design, we created a very cool custom-designed lighting system which is currently being manufactured. In November, I am having interesting appointments in the Middle East region: we will keep you up to date!


    Information about the exhibition

    pfarré lighting design
    Sonnentaustrasse 12
    D-80995 München
    Germany
    t +49.(0)89. 540 41 43-0
    f +49.(0)89. 540 41 43-43
    info@lichtplanung.com
    www.lichtplanung.com

  • Samstag 10. April: 20.00 h: Pecha Kucha Night @ LuminaleSaturday, April 10th, Start 20.00 h: Pecha Kucha Night @ Luminale

    „Pecha Kucha“ ist ein japanischer Ausdruck und bedeutet frei übersetzt Tratsch oder wirres Geplapper. Die Idee zu Pecha Kucha stammt von Klein Dytham Architecture in Tokyo. Pecha Kucha ist eine Plattform für alle, die mit Architektur, Design, Mode und Kunst zu tun haben. Pecha Kucha möchte eine möglichst bunte Mischung von Teilnehmern zusammenbringen – von bekannten Architekten bis hin zu Studenten, Absolventen und jungen Büros, die zum ersten Mal ihre Projekte zeigen. In Frankfurt am Main werden die Pecha Kucha Nights vom Deutschen Architekturmuseum (DAM) organisiert.

    DAM mit Jazzunique, unterstützt von Artemide GmbH
    Innenhof des Ovals am Baseler Platz / Baseler Arkaden
    10.4.: Einlass 19.00 h, Beginn 20.00 h
    Eintritt: 5 Euro
    S-/U-Station „Hauptbahnhof“, Tram-Station „Baseler Platz“
    www.pechakuchanight.de

    Die Teilnehmer:
    Olaf Arndt
    Sharon Stammers
    Marcello Zagaria
    Mary-Anne Kyriakou
    Prof Andreas Schulz
    Reto Marty
    Gerd Pfarré
    William Hailiang Chen & Mark Francis Tynan
    Prof. David Mainwaring
    Sebastian Hungerer & Rainer Kehres
    Paulina Villalobos
    Ruairí O´Brien
    Dr. Stefan Rapp
    Carla Wilkins
    Jean-Luc Capron „Pecha Kucha“ is a Japanese expression and freely translated means gossip or confused chattering. The idea of Pecha Kucha originates from Klein Dytham Architecture in Tokyo. Pecha Kucha is a platform for anyone who is involved in architecture, design, fashion and art. Pecha Kucha aims to bring together a colourful mixture of participants – from well known architects to students, graduates and new offices showing their projects for the first time. In Frankfurt am Main the Pecha Kucha Nights are organised by the Deutsche Architekturmuseum (DAM).

    The Luminal edition is organized by DAM and Jazzunique, supported by Artemide GmbH
    Foyer of the Oval Building (Baseler Platz)

    10.4.: Doors are opening at 19.00 h, Stzart of teh show: 20.00 h
    Entrance: 5 Euro
    S-/U-Station „Hauptbahnhof“, Tram-Station „Baseler Platz“
    www.pechakuchanight.de

    The participants:
    Olaf Arndt
    Sharon Stammers
    Marcello Zagaria
    Mary-Anne Kyriakou
    Prof Andreas Schulz
    Reto Marty
    Gerd Pfarré
    William Hailiang Chen & Mark Francis Tynan
    Prof David Mainwaring
    Sebastian Hungerer & Rainer Kehres
    Paulina Villalobos
    Ruairí O´Brien
    Dr. Stefan Rapp
    Carla Wilkins
    Jean-Luc Capron

  • IALD International Lighting Design Awards 2009

    bild-11 In New York fand die Verleihung der Lighting Design Awards des IALD statt. Gratulation an die diesjährigen Preisträger:

    Radiance Award for Excellence in Lighting Design

    Mark Major, Spiers and Major Associates: Entrance and Atrium , 3 More London Riverside, London

    Award of Excellence

    Larry French, E. Sara McBarnette Associate, Marlene Lieu, Auerbach Glasgow French: The Metropolitan Museum of Art, The Wrightsman Galleries for French Decorative Arts

    Graham Rollins, Lighting Design International: Limerick House Spa

    Award of Merit

    Andreas Schulz, Licht Kunst Licht AG: Federal State Parliament of Liechtenstein

    Andreas Schulz, Licht Kunst Licht AG: Krischanitz Building, Campus Novartis, Basel

    Andreas Schulz, Licht Kunst Licht AG: Campus Novartis Reception and Underground Car Park, Basel

    Pete Samaras, WSP Flack + Kurtz: Beijing New Poly Plaza

    Gerd Pfarré, pfarré lighting design: WGV Cafeteria, Stuttgart

    Maurici Ginés, artec3: Torre del Agua, Zaragoza

    Maurici Ginés, artec3: Plaza des Torico, Teruel

    Maureen Moran, MCLA Inc: L2 Lounge, Washington DC

    Dr. Yun Wei Min, Grandar Lightscape Co Ltd: LED Lighting Art of the Water Cube, Beijing

    Jonathan Speirs and Team, Speirs & Major Associates: The Sheikh Zayed Bin Sultan, Al Nahyan Mosque Interior, Abu Dhabi

    Abdi Ahsan, Lumina Group: Pertamina Gas Station, Indonesia

    Mark Major and Team, Speirs & Major Associates: BBC Scotland, Glasgow

    Jean Sundin , Enrique Peiniger, Office for Visual Interaction Inc: The New York Times Building, Facade Lighting

    Special Citation

    Mark Major and Team, Speirs & Major Associates: Beijing Capital International Airport

    Paul Marantz, Barry Citrin, Fisher Marantz Stone Architectural Lighting: TKTS Ticket Booth, New York

    Kai Piipoo, Clara Fraenkel, Ljusarkitektur P&Ö AB: K:FEM, Stockholm

    Mehr zum IALD>bild-11

    In New York the Presentation of the winners of the IALD Awards 2009 was celebrated. Congratulations for the award winners:

    Radiance Award for Excellence in Lighting Design

    Mark Major, Spiers and Major Associates: Entrance and Atrium , 3 More London Riverside, London

    Award of Excellence

    Larry French, E. Sara McBarnette Associate, Marlene Lieu, Auerbach Glasgow French: The Metropolitan Museum of Art, The Wrightsman Galleries for French Decorative Arts

    Graham Rollins, Lighting Design International: Limerick House Spa

    Award of Merit

    Andreas Schulz, Licht Kunst Licht AG: Federal State Parliament of Liechtenstein

    Andreas Schulz, Licht Kunst Licht AG: Krischanitz Building, Campus Novartis, Basel

    Andreas Schulz, Licht Kunst Licht AG: Campus Novartis Reception and Underground Car Park, Basel

    Pete Samaras, WSP Flack + Kurtz: Beijing New Poly Plaza

    Gerd Pfarré, pfarré lighting design: WGV Cafeteria, Stuttgart

    Maurici Ginés, artec3: Torre del Agua, Zaragoza

    Maurici Ginés, artec3: Plaza des Torico, Teruel

    Maureen Moran, MCLA Inc: L2 Lounge, Washington DC

    Dr. Yun Wei Min, Grandar Lightscape Co Ltd: LED Lighting Art of the Water Cube, Beijing

    Jonathan Speirs and Team, Speirs & Major Associates: The Sheikh Zayed Bin Sultan, Al Nahyan Mosque Interior, Abu Dhabi

    Abdi Ahsan, Lumina Group: Pertamina Gas Station, Indonesia

    Mark Major and Team, Speirs & Major Associates: BBC Scotland, Glasgow

    Jean Sundin , Enrique Peiniger, Office for Visual Interaction Inc: The New York Times Building, Facade Lighting

    Special Citation

    Mark Major and Team, Speirs & Major Associates: Beijing Capital International Airport

    Paul Marantz, Barry Citrin, Fisher Marantz Stone Architectural Lighting: TKTS Ticket Booth, New York

    Kai Piipoo, Clara Fraenkel, Ljusarkitektur P&Ö AB: K:FEM, Stockholm

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